Monthly Archives: January 2016

Review: Midnight Mob – Honest Brutal Glorious EP

Artist: Midnight Mob
Release: Honest Brutal Glorious
Release Date: March 25, 2016
Genre: Hard Rock

Midnight Mob is one of the most memorable hard rock acts to come out of the New York area in recent memory. The band’s unique talents in blending of so many different shades of rock – combined with one of the highest-energy live shows currently on the indie circuit – has always made it stand out among its contemporaries.

The band’s upcoming EP, “Honest Brutal Glorious,” is all three of those things. It is Midnight Mob at its purest and most unapologetic – that is to say, at its best.

Frontwoman Blackey Lor’s vocal performance on “Honest Brutal Glorious” is on-point across the board, and the record serves as a perfect example of what makes her one of the most versatile vocalists in indie rock. She can sing with soul, as she does on the EP’s spirited opening track, “Song for the Damned,” just as well as she delivers powerful angst on a song like “Run for Your Life.” Moreover, she makes it look and sound easy, projecting the convincing swagger that has become her calling card.

In its entirety, the band’s collective ability offers a listening experience that seamlessly demands a wide range of reactions from its fans. Certainly, there are some trademark headbangers on “Honest Brutal Glorious,” but the band doesn’t stop there. The dance rock flair of “Swing On” will surely have audiences stomping and clapping along during live shows, while “Stay,” the album’s stripped-down closing track, is as beautiful as it is haunting, as it tells the tale of a love lost.

“Honest Brutal Glorious” serves as a reminder of what hard rock can be when bands continue to push past old boundaries. Certainly, the members of Midnight Mob have no fear when it comes to challenging themselves, and their hard work pays off with an EP that will surely stand as one of the year’s best.

Track listing:
1. Song for the Damned
2. Run for Your Life
3. Ghosts
4. Black Mamba
5. Swing On
6. Stay

Review: The Mad Sugars – Amateur Hour EP

Artist: The Mad Sugars
Release: Amateur Hour EP (LISTEN)
Genre: Rock and/or Roll
Release Date: Jun. 23, 2015

When we last left The Mad Sugars, they had just come out with a three-track EP appropriately titled Just a Taste. Indeed, it was just a taste of what Adam Gruss and company would find themselves capable. Their latest effort, the “Amateur Hour EP,” signals a sonic evolution for the New York-based dance rock outfit.

Opening with the hooky “Matchmaker,” and featuring enhanced versions of Just a Taste holdovers “Just Keep Dancing” and “How She Likes It,” the record’s sound is fuller and more complex than its predecessor. Backing vocalists Sarah Golden and Anna Ritter – featured for quite some time during live performances – make their recording debut and find themselves providing well-balanced support for Gruss, who seems to have found a confident voice as a singer and lyricist on this six-track offering.

It’s fair to note that, even through the travails of nightlife that recur in Gruss’ lyrics, this record is meant to get you dancing. Even “The More You Spill,” surely the EP’s most overtly dark track, has a Franz Ferdinand-esque beat and bass groove that will get the staunchest of wallflowers nodding along. The track also features some stellar guitar work from longtime Gruss collaborator Dan Callas, which is hazy in all the right ways as it tells the tale of a night gone awry.

All in all, The Mad Sugars have a fun, mostly tongue-in-cheek record that pushes them beyond “Amateur Hour” and into the big leagues. Bring your dancing shoes and sense of humor, and you’ll find yourself going back for “Another,” again and again.

Track listing:
1. Matchmaker
2. Queen of the Club
3. Just Keep Dancing
4. Another
5. The More You Spill
6. How She Likes It

For the Love of Music

Join us at Chicago Restaurant & Club Gravity this Thursday, Jan. 21 at 7 p.m. for The Originals Music Series, featuring special guest, Musos!

A stage is lit in the back room of Chicago Restaurant, known as Club Gravity. A band of local musicians is just finishing its sound check as patrons slowly roll in. Some in attendance personally know the folks who will soon showcase their musical talents. Others, looking for a road less traveled in the Lehigh Valley’s arts scene, come to learn something new. New songs. New artists. New experiences.

For more than a year, The Originals Music Series has been populating Club Gravity (1179 Airport Road, Allentown) every Thursday night at 7 p.m. with this very idea in mind. The series exposes music fans to something they may not yet know, while giving hard-working and lesser-known – but every bit as talented – artists in the area a place to play.

The Originals Music Series is the brainchild of Tracie Lovett and Amy Danner, known more publicly as Ninja and Pitbull of the Fyre and Ice Show on internet-based Neue Regel Radio. The duo first brought the idea of an original music night to Chicago management, and were met with an overwhelmingly positive response.

“I messaged Amy and said we should approach Casey (Chicago’s general manager) about doing an originals night,” Lovett said. “We met with her, and about five minutes into our spiel, she said, ‘Done. It’s golden.’ She said that if we were going to do this, we had to do it every single week to be consistent.”

At first, the pair thought that their pitch may have gone a little too well.

“I think the looks on our faces were like deer in headlights,” Danner said. “(To do a show) every week is insane.”

“We thought we were going to run out of bands,” Lovett confirmed.

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White Oleander is one of many local acts to perform at The Originals Music Series.

Nonetheless, the co-hosts found themselves with no shortage of interested talent. Lovett states that she consistently has new requests rolling in, more than a year later. Acts generally come from the Lehigh Valley and surrounding area, although some have come from as far west as Harrisburg (Six Bar Break) and as far south as Washington, DC (A Sound of Thunder).

There is a vetting process for The Originals Music Series. Performance and music quality standards must be met before a band is booked.

“We’re not going to throw just anybody up there,” Danner said. “It’s not because we’re being judgmental, but why would we put somebody in that position (if they aren’t ready)? The series is about them.”

Growing Together
Always working for the benefit of indie artists, Lovett and Danner support the growth of the original music scene in the Lehigh Valley by not only promoting The Originals Music Series, but by encouraging similar endeavors at other venues in the Lehigh Valley – as long as the focus remains on the well-being of the music scene itself.

“If somebody wants to do this because of their drive and their passion, on behalf of the local music scene here in the Lehigh Valley, we say, ‘Go for it.’ We’ll even help you out,” Lovett said. “If they are doing it to try and one-up something that we’re doing, or to bring stardom to their name, they’re doing it for the wrong reasons and should stay away. This is for the local musicians.”

And, while The Originals Music Series is currently an unpaid performance opportunity, Danner insists that the entire scene has more to gain from performing than dollars and cents.

“This is a showcase to open this venue up to indie bands, in hopes that other venues will do the same, and in hopes that the fans and venue owners in this area and surrounding areas realize that they’re not tapping into what they need to tap into,” Danner said. “It’s for the purpose of doing something greater, and they see that. They see the light at the end of the tunnel.”

The pair thinks that light can shine brighter, if the Valley’s music lovers step out of their comfort zones as listeners and discover something new.

“Go out. Listen to the different internet radio shows that are out there. Listen to some music that you’re not familiar with,” Lovett said. “If you see a band and you like them, go onto their Facebook page, share it and tell your friends. If they have SoundCloud links, ReverbNation profiles, share those. People around here like to talk, but they don’t talk about the right stuff. Talk about the music and support the venues.”

Their expectation is the same for key music stakeholders throughout the region.

“You cannot have a big gala once a year and call that supporting local music. You need to go out and support the music,” Lovett said. “Go out and see the bands that are making the scene. If you have to pay a cover, pay a cover.”

“And if you’re not willing to do that,” Danner added, “then you need to get the hell out of what you’re doing.”

The Future
Lovett and Danner continue to look for ways to improve the scene. Preliminary discussions have taken place about bringing in acts from other regions and hosting larger scale events, perhaps including a local original music festival, in the not-too-distant future.

For now, however, The Originals Music Series carries that torch into its second year, delivering a simple message for all who will listen.

“Support local music,” Lovett said. “All local music.”

“In your backyard, and everyone else’s backyard,” Danner concluded.

A Public Service Announcement from Lehigh Valley Underground

Image credit: SaveNetRadio3.0

The Small Webcasters Agreement of 2009 expired on January 1 of this year. With that, royalty rates have skyrocketed for internet radio hosts and station owners, leaving tens of thousands of webcasters with no choice but to shutter their doors to countless talented independent musicians throughout the world.

The Copyright Royalty Board (CRB) has left small webcasters and hard-working musicians out in the cold, with no representation whatsoever. With no provisions to assist small webcasters, many will not only struggle to keep up — they will find it impossible.

The good news? A Change.org petition (containing all of the information you need) has gained steam, hoping to preserve the platforms that independent musicians of all genres hold dear. As it nears its goal of 1,500 signatures, we at Lehigh Valley Underground encourage you join this fight. Make Congress reconsider this injustice to our indie brothers and sisters by signing it today.

Review: Meghan Cary – Sing Louder – The Festival EP

Artist: Meghan Cary
Album: Sing Louder – The Festival EP (LISTEN)
Genre: Folk
Release Date: Aug. 9, 2015

Last summer, Philly-based folk singer Meghan Cary released “Sing Louder – The Festival EP” as part of an upcoming greater whole. Judging from the songs on the five-track EP – which deals predominantly with themes of love, loss and family – the to-be-completed project is off to a great start.

Cary’s soulful alto voice and prowess for storytelling combine to convey the broad and, at times, conflicted emotions we experience in our relationships. Lyrically, the five-song EP shows respect for our fellow man and those who came before us, while offering a mother’s perspective on what we can do to make the future better for upcoming generations. Musically, the backing of Peter Farrell (keys, vocals) and Stacy Weathers (banjo, vocals) adds beautiful depth and harmony to enhance the overall message of “Sing Louder.”

The EP begins with the country-bluegrass picking of “Responsibility,” a pensive selection that showcases Cary’s powerful vocals as she asks how accountable we are to help our fellow man in need. Cary’s vocals are just as effective on “Wind,” a gentle, searching piano-driven ballad with excellent folk sensibilities and the use of metaphor as a means of dealing with loss (“I’m praying that you’ll answer me with the rustle of the leaves”).

The tempo picks up on the EP’s title track, which drives home the message of leading a long, fulfilling life and leaving behind an enriching legacy. That theme, coupled with the sense of loss in “Wind,” seem to join together on “Fly and Be Free” to add a sense of comfort and closure to the pain conveyed two tracks earlier.

The EP wraps up on an upbeat note with “Building This House,” whose lyrics stretch beyond a reference to physical structure and touch upon the elements of love and family that make a house a home. Musically, this is Cary and company’s most triumphant moment on the record, as its continued build adds a fun exclamation point our 23 ½-minute emotional folk journey.

Overall, “Sing Louder – The Festival EP” is a strong offering and a sign of things to come from this talented folk artist. Whenever the follow-up makes its way into existence, we’ll be ready!

Track listing:
1. Responsibility
2. Wind Song
3. Sing Louder
4. Fly and Be Free
5. Building This House

Bethlehem’s Boyd Theatre: A Live Music Destination?

By now, many of you have probably seen recent updates on Bethlehem’s historic Boyd Theatre. First, we found out that the property had a buyer for the price of $1.35 million. Then, just yesterday, lehighvalleylive.com reported that the theatre has been classified as a “blighted” property.

While many details about the property and its future are unclear, we know two things: 1) Somebody, somewhere in the Valley has at least a loose plan to do something with it and 2) many on the music scene hold the opinion that the Boyd would make a great live music venue, right in the heart of Historic Bethlehem.

Think of the possibilities: A music venue on the North side, similar in transformation to Easton’s State Theatre, where musicians – local, regional, and even national touring acts – could come to play. The Boyd could cater to an entirely different kind of artist (imagine hard rock, alternative, or even hip hop showcases) than many of the region’s other established venues, offering a little more color, variety and opportunity to the Valley’s original music scene. More of the region’s lesser-known, but wicked talented artists could be featured, and therefore prevented from heading to the seemingly-greener, nearby pastures of Philadelphia and New York.

Imagine turning the Boyd into a venue that could attract a national touring act – veteran bands with respectable followings, like Death Cab for Cutie, Breaking Benjamin, Volbeat or, my personal favorite, Our Lady Peace. Then, imagine the opportunity local artists would have to open for them. The headliners would attract a crowd, and our local artists could attract larger followings, and have their hard work noticed by larger audiences, simply by being on the bill.

Then, there are the potential implications for Main Street’s businesses. More foot traffic on nearby Broad Street bodes well for the shops and restaurants that populate downtown, especially amid concerns that the re-zoning of Martin Tower may cause those businesses to take a hit once the land is re-developed. A performance space in an arts-rich community could be the remedy to that, as it gives folks a brand-new reason to visit Main Street.

With all of that being said, there are certainly challenges that lie ahead for the Boyd Theatre, and there is a lot more of this story to be told before all is said and done. In the meantime, we can still dream.

So, dream on and let us know what you think should become of the Boyd in the comments!

Artist Q&A: Whitney Peyton

From the outskirts of Philadelphia comes Whitney Peyton, a rising star in the world of independent hip hop. Learn how Whitney has enjoyed success to this point of her career, and learn more about her new album, “Break The Frame,” by checking out our review.

For those who may be new listeners, tell us about your major influences and how they have helped shape you as an artist.
I enjoy artists like Tech N9ne, Chris Webby, Machine Gun Kelly, Hopsin, and so many more. All these artists are independent and have really laid the blueprint for making it from a grassroots level. I think that’s so respectable!

As a Philly-area native, you’ve enjoyed plenty of local and regional success, including wins at the Lehigh Valley Music Awards and the Tri-State Indie Music Awards. How have these honors set you up for larger-scale success?
It all pretty much started from home and then branched out. It needs to start out at a smaller scale as a learning experience. I’ve made a million mistakes that helped me grow. I’m just glad I learned a lot during the beginning stages to hopefully prevent poor choices as I get bigger!

You’ve branched out beyond our region, having toured all over the country with hip hop artists like Jadakiss, Juelz Santana, Three 6 Mafia and many more. How did you make the connections to tour with such high-profile names?
When your online presence and stage show starts to grow, then more agents catch wind of your name and buzz. I was placed on a lot of these tours from artists booking agents seeing me perform or hearing about me. If you build it, they will come.

Surely, you must have plenty of good road stories. Tell us your favorite.
Getting the tour bus pulled over in Detroit during the Three 6 Mafia tour is certainly one of the most hilarious things to look back on. They saw that we were touring musicians and thought we must have drugs or something so we stood out in a blizzard for hours in Michigan while police took search dogs through all of our stuff! They didn’t find anything illegal and we were free to go, but it was such a weird experience at the time. It definitely wasn’t funny then, but it’s funny now that I think of it. I had muddy paw prints all over my clothes from the police dogs!

Calling your live show “high energy” is an understatement. You climb, crowd surf, and get up close and personal with the crowd. What else can people expect at your shows?
I don’t plan half of the stuff that I do, so it’s hard to warn people what to expect. Just come to the show knowing that you will be part of the show!

boombox2015HighResBWLet’s move on to the music. Your new album, “Break The Frame,” was released on January 5. What inspired the new work?
I have fewer rap collaborations on this record than people would expect. I actually have a ton of singers on the album. I wanted to do something different. That’s the whole point of “Break The Frame.” It’s about breaking out of the box and not being stuck in one lane.

Who worked with you on the new record, and where did they make the biggest impact?
Ali “A MAC” McGuire is the main producer/engineer on the album. It’s cool to have a female engineer. People are surprised to see a female MC (I don’t know why — there’s a ton of us now), but then when they realize the person behind the instrumentals and mixes is also a girl, it tends to blow their minds.

You released a music video for the lead single, “It’s All Good (ft. Sounds)”, on Dec. 8. How would you say it’s a creative step forward since your previous release, “Fear of Falling?”
“Fear of Falling” is pretty dark. One of my favorite songs I’ve ever released, “Better,” is from that EP, so it will always have a special place in my heart. “It’s All Good” is from the “Break The Frame” album, and it’s certainly more laid back and positive. I wanted to put something out that made people feel good. I’m so glad my music is relatable!

What are your plans to hit the road in support of “Break The Frame?”
I just finished a short run in support of “Break The Frame,” and I am booked well through spring. All of my dates are always posted on WhitneyPeyton.com/Tour.

If you could go back in time to when you were starting out and give yourself one piece of advice, what would it be?
Never wait to be discovered. Discover yourself! Luckily, I actually did this for the most part, but sometimes we really feel like we need someone to help us, when we can do most of it singlehandedly! A good team and good friends come as you build!

Give yourself a plug! Where can people find your music and learn more about you?
WhitneyPeyton.com, facebook.com/WhitneyPeytonMusic, on Twitter and Instagram @WhitneyPeyton, and at YouTube.com/WhitneyPeytonMEDIA

Can’t-Miss Shows of the Week: Jan. 18-24

Here at Lehigh Valley Underground, we want to make sure you’re supporting and catching the very best independent music eastern Pennsylvania has to offer. That’s why, every Monday, we’ll help you make plans by keeping you abreast of the…

Can’t-Miss Shows of the Week!

Thurs., Jan. 21
The Originals Music Series
Venue: Chicago Restaurant, 1179 Airport Road, Allentown, PA
Description: The Fyre & Ice Show on Neue Regel Radio presents a weekly showcase featuring some of the best independent artists from the Lehigh Valley and beyond.

Fri., Jan. 22
The Groove Merchants
Venue: The Funhouse, 5 E. 4th St., Bethlehem, PA
Description: Blues rockers The Groove Merchants bring their high-energy tunes to downtown Bethlehem.

Sat., Jan. 23
REVEL 9, Audio Impulse & Midnight Mob
Venue: Connie’s Ric Rac, 1132 S. 9th St., Philadelphia, PA
Description: Hard rock titans of the indie world descend onto Philadelphia for an intense, high-octane night!

Want to see your upcoming shows featured here? Email us at lehighvalleyunderground@gmail.com.

The Quinn Spinn Announces Return Week Musical Lineup

With Launch Day of Lehigh Valley Underground in full swing, that means we are just two weeks away from the beginning of the next chapter of The Quinn Spinn, the Official Podcast of Lehigh Valley Underground.

The Quinn Spinn will feature two brand new, hour-long indie music podcasts every week on SoundCloud, iTunes, and here on Lehigh Valley Underground beginning February 1. The “worldwide” show, premiering every Monday, will feature artists, interviews and topics from anywhere.

Episode #1 of the new Quinn Spinn (Feb. 1) will feature Good Friend of the Show DJ Pearlman of Long Island-based hard rock band REVEL 9. In addition, other artists featured on the return episode will include:

The Everglows (via Factory Fast Records)
Second Player Score
Jupiter in Velvet
Curtis Pacheco (via Factory Fast Records)
In This Mode (w/ Meter Bridge)

On Thursdays, get ready for QSLehighValley, which will put the emphasis on artists from eastern Pennsylvania and the surrounding area. QSLehighValley looks to support our local music scene, while giving artists nearby to us the opportunity to be heard in front of an unlimited audience.

The first episode of QSLehighValley will go live on Thurs., Feb. 4 and feature The Revere, a rock band out of nearby Doylestown whom we accepted via our ongoing ReverbNation submission campaign. Their great music will be accompanied by that of other regional artists, including:

The Band of Rivals
John Scargall
Meghan Cary
Duke Maroon

Whitney Peyton

For the latest updates and exclusives, follow The Quinn Spinn on SoundCloud, Facebook, Twitter and Instagram.

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