WATCH: Max Swan Finds That ‘Heaven is a Slow Jail’
It’s official: Max Swan needs nothing more than his silky smooth voice, a few trombones, and some compelling visuals to capture our imaginations.
Watch ‘Slow Jail’
It’s official: Max Swan needs nothing more than his silky smooth voice, a few trombones, and some compelling visuals to capture our imaginations.
Watch ‘Slow Jail’
“Sometimes, I feel like I’m slippin’
More than the day before
If only we could stick together
I would stay upright for sure.”
When we travel parts of life’s journey by ourselves, we often create the space needed for change.
Watch the Video
Earlier this fall, we showed you an eerie juxtaposition from the mind of Max Swan – the black-and-white, abandoned streets of Philadelphia, set to a bright and nostalgic rendition of Henry Mancini’s 1967 song, “Two For the Road.”
That single finds itself on Swan’s new Gone Away EP (released Oct. 30). True to form, Swan bends genres and bares his soul – this time, on a record that explores the humanity in our flaws, and the disconnects that arise within our relationships.
Check it out!
In all likelihood, you’ve never seen the streets of Philadelphia quite like this.
Watch the Video
One of our recent, notable musical discoveries was Philly-based multi-instrumental, multi-genre artist Max Swan.
Hear Wednesday’s Daily Spinn