Tag Archives: rock and roll

PHOTOS: Dana Gaynor Band at Mayfair

It’s a blazing hot Memorial Day weekend in the Lehigh Valley, and that means it’s time for Mayfair Festival of the Arts! The festival rolls along all weekend, and began last night with an appearance from the Dana Gaynor Band.

Gaynor and her bandmates withstood the heat for two hours to deliver an incredibly tight performance of all original music across genres. Those in attendance heard shades of blues, rock, jam, rockabilly, country, and even a little pop throughout the night.

Mayfair continues all weekend long, highlighted by performances from the Godfrey Daniels Community, Big Valley Bluegrass, Craig Thatcher and more (full schedule here). We’ll be back to close the festival on Monday for Scott Marshall & Marshall’s Highway.

Until then, enjoy these photos from last night’s stellar performance.

PHOTOS: Easton Rocks! Fundraiser at the State Theatre

Carter Lansing, Blue Jean, Alex Radus and Roi & the Secret People packed the house and brought it down during the Easton Rocks! fundraiser at the State Theatre.

You’ve already had a chance to get our take on last night’s incredible evening, presented by DustinSchoof.com. Now, take a look at this great night through Lehigh Valley Underground’s lens.

PHOTOS: Roi and the Secret People at Rivals Easton

On Friday night, Easton’s Roi and the Secret People premiered the music video for their song, “Hungry,” at Rivals Sports Bar & Restaurant in Easton. The packed room in attendance received the new video well, and were treated to an incredible night of rock and roll from the band, fronted by the charismatic Mike Roi.

The evening also featured an opening spot from Employees Only, a band comprised of instructors from Easton and Allentown School of Rock locations. The teachers proved to be masters at their craft, playing rock standards and extended jams while displaying great skill and chemistry.

Please enjoy some exclusive photos of this great night of live music, courtesy of Lehigh Valley Underground!

PHOTOS: Julius & Musos at The Originals Music Series

The Originals Music Series kicked off March with an exciting night of rock by featuring local artists Julius (whom you recently heard on The Quinn Spinn) and Musos, who performed at the Series in January. Both artists had some new material to debut to the audience at Chicago Restaurant’s Club Gravity on Thursday night.

Enjoy some exclusive photos below, courtesy of Lehigh Valley Underground! Then, stay tuned later for more from this great night of music.

 

Review: The Howling Tongues – Vivian (Single)

Artist: The Howling Tongues
Release: Vivian (Single)
Release date: Mar. 8, 2016
Genre: Rock & Roll

When The Howling Tongues’ new single, “Vivian,” hits music streaming and download services on March 8, listeners can expect anthemic, infectious blues-infused rock to triumph through their speakers.

The Atlanta-based quintet is fronted by lead vocalist Davey Rockett, whose powerful, distinctive voice and wide vocal range drives the bus on “Vivian.” Rockett combines with bandmates Nick Magliochetti (Guitar), Tylor James (Drums), Brandon Witcher (Bass) and Thomas Wainwright (Keys) to sound as tight as ever on this groovy, 3-minute track about the shady antics of a witchy woman.

Keep tabs on The Howling Tongues as they prepare to release “Vivian” and more at the band’s official website.

Review: John Scargall – Breakthrough

Catch John Scargall tomorrow when he joins The Quinn on QSLehighValley. Tune in on SoundCloud, iTunes and here on Lehigh Valley Underground!

Artist: John Scargall
Album: Breakthrough (LISTEN)
Release date: Oct. 6, 2015
Genre: Country rock

When John Scargall decided to leave the corporate world and pursue a career in music, he was defying the odds, as well as the seemingly-reasonable, yet all-too-often-heard advice of those around him to have a fallback.

After listening through his debut album, the appropriately-titled “Breakthrough,” it’s clear that he doesn’t need one.

By reacting to doubt on triumphant, “I-told-you-so” anthems like “Tearin’ Me Up” and “Live Out Loud,” John shows that he has the confidence and knowledge to achieve whatever dream he pleases. All the while, he imparts that wisdom to others looking to break from life’s doldrums on “Breakthrough,” the album’s title track and most tender, inspirational moment.

There’s plenty more rockin’ country fun to be had on “Breakthrough,” like the fast-moving, fiddle-driven “A Little Bit of Lovin’” and the groovy “Two Face Factory.” NASCAR ’15 staple “Leave It on the Track,” for being a bit closer to mid-tempo than the aforementioned, also has the rhythm and soul to make you dance.

It’s hard to believe that, not too long ago, John Scargall was giving presentations at his 9-to-5 like the rest of us. Just a couple of short years later, “Breakthrough” has deservedly taken John out of the boardroom and all over the country.

Beyond the Valley Q&A: Leaders in the Clubhouse

While the Lehigh Valley has plenty of stellar talent, there’s an entire indie music world out there. We’re privy to the great music out there, and we’re happy to make sure you are, too. 

Today’s Q&A takes us across the country to beautiful San Diego, California. That’s where Leaders In The Clubhouse – a project from friends and collaborators Charlie Recksieck and Spud Davenport – are based. Spud took the time to answer some questions, and we can promise a read as fun and entertaining as LITC’s current album, “Won.”

First thing’s first – tell us about how Leaders in the Clubhouse came together.
Well, this was simply a songwriting partnership gone nutz! Charlie Recksieck and I have been friends and mutual musical admirers for years. We started writing together about three years ago, and this angry-but-funny retro-70’s style music came out. We honestly thought, still think, people will want to hear this stuff. Pressing a record and calling it a band just seemed a logical next step.

How about influences? What artists have inspired you to make music?
One thing that Charlie and I have in common, off the bat, is a great love for the music of the incredible Randy Newman. And Warren Zevon. And Jeff Lynne. Leaders In The Clubhouse pull from a lot of those, plus other ’70’s icons like 10cc, Joe Walsh, Queen, and ELO. OK, that’s Lynne again.

You guys emphasize yourselves as “Fun Rock & Roll.” Why is it important for you guys to keep things upbeat?
We sing about some touchy subjects, so keeping it light keeps the audience engaged, I think. If we were head-banging a song like “Law of the Jungle”, less people would probably listen long enough to say, “Hell yes! I agree with these guys!” So it’s gotta be a toe-tappin’, sing-along vibe for us. We like the visual of people singing along to “These goddamn devices don’t make life much better, in fact they make it worse…”

You come from varying musical projects out there in San Diego. How, if at all, is Leaders in the Clubhouse different from those other projects?
Not that different at all. Charlie and I have always tried to laugh at ourselves. I think we feel less guilty when laughing at others. But live, instead of me standing there with a guitar, I’m standing up playing the drums and right now, Charlie is standing up playing his keyboard, so that’s different! And we share lead vocals, so there’s more variety. We’re almost Fleetwood Mac over here!

Do you think you’ll ever deviate from the “fun” and go a more serious, downtempo route as Leaders in the Clubhouse?
Never. I’ll save that for a solo venture. Call myself Les Wages or Billy Clubb & the Baby Seals.

LITC Won

The cover art for “Won,” the album from San Diego-based Leaders In The Clubhouse.

Your current album, “Won,” has been out since the summer. Who worked with you on the record?
Charlie and I played most of the instruments, but we hired out for the horns. Our good buddy Andy Machin helped with recording, production, mixing, and he played all the guitar solos and some bass guitar. He’s a great go-to guy.

We also had some local San Diego stars sing on a few tracks: Christopher Dale, Mary Grasso, Margaret McClure, and Sierra West. All really talented artists in their own right. You should Google them!

What was the writing process like? What was it like for you guys to come together and make original music?
The writing process varies a bit, but really, a lot of times we just finish each other’s ideas. Most people who don’t collaborate wouldn’t know this, but it’s really about “selling” your idea to the other person. It’s that simple. If Charlie can’t get behind a theme, melody, or groove I come up with, or I did a shitty job of selling it, well, we move on. We both need to be above excited to keep working on something. We’re very critical, and I think that’s a good thing.

What are your personal favorite tracks from “Won?”
Good question! Haven’t been asked that yet! I know for a fact we both still have a soft spot in our hearts for “She Gets Loud”. It’s the tune that started this whole mess!

I still like all the songs. That’s rare, but my favorite has to be “Trophies.” It was the last song we finished writing and recording, and it has such a strong message. “You don’t get a trophy” and “You don’t need a trophy.” It’s one of a few “message” songs on the album.

I have to say, I love the video for “LawnChairs.” Not only does it laugh in the face of doomsday paranoia, but it looks like it was a blast to make! Tell us about it.

Oh, I’m so glad you like it. Man, the filming of that video was, like Charlie has said, “Music Video 101” class. The two of us didn’t know what the hell was going on. We have such good friends in Los Angeles who brought this all together. We just showed up and said, “What do you want me to do?”

Mike Stutz wrote the storyboard, directed, and acted as the reporter. He’s so freaking talented. We also had Emmy winner Jay Lafayette do the shooting with his crew of supermen.  There was so much luck and good fate. Or, is that the same thing?

And there were the girls doing “their thing” with a loaf of Velvetta cheese, so we were in Heaven. Oh yeah.

Moving to the live scene, what can people expect at a Leaders in the Clubhouse show?
A Leaders In The Clubhouse show is going to be an extravaganza! If all works out for us, it will be similar to early shows by the Tubes. I mean, I’m not dressing up as a White Punk on dope, but we want to have a three-ring Circus on stage. Dancers, jugglers, fire-eaters; as much as we can afford on a fixed income!

Do you have any shows coming up?
Currently, we’re rehearsing and drinking a lot of craft beer. We’re shooting for local San Diego gigs in early 2016, and hopefully a northern California, Oregonand Washington tour in spring.

We’ve come to the end! Where can people learn more about you online?
We are all over the InterWeb. All links are at leadersintheclubhouse.com, plus CDBaby, Facebook, SoundCloud and Twitter.

Any other parting thoughts?
Thanks for your time and all the support, Gerard!  You deserve a “Trophy!”

Review: Midnight Mob – Honest Brutal Glorious EP

Artist: Midnight Mob
Release: Honest Brutal Glorious
Release Date: March 25, 2016
Genre: Hard Rock

Midnight Mob is one of the most memorable hard rock acts to come out of the New York area in recent memory. The band’s unique talents in blending of so many different shades of rock – combined with one of the highest-energy live shows currently on the indie circuit – has always made it stand out among its contemporaries.

The band’s upcoming EP, “Honest Brutal Glorious,” is all three of those things. It is Midnight Mob at its purest and most unapologetic – that is to say, at its best.

Frontwoman Blackey Lor’s vocal performance on “Honest Brutal Glorious” is on-point across the board, and the record serves as a perfect example of what makes her one of the most versatile vocalists in indie rock. She can sing with soul, as she does on the EP’s spirited opening track, “Song for the Damned,” just as well as she delivers powerful angst on a song like “Run for Your Life.” Moreover, she makes it look and sound easy, projecting the convincing swagger that has become her calling card.

In its entirety, the band’s collective ability offers a listening experience that seamlessly demands a wide range of reactions from its fans. Certainly, there are some trademark headbangers on “Honest Brutal Glorious,” but the band doesn’t stop there. The dance rock flair of “Swing On” will surely have audiences stomping and clapping along during live shows, while “Stay,” the album’s stripped-down closing track, is as beautiful as it is haunting, as it tells the tale of a love lost.

“Honest Brutal Glorious” serves as a reminder of what hard rock can be when bands continue to push past old boundaries. Certainly, the members of Midnight Mob have no fear when it comes to challenging themselves, and their hard work pays off with an EP that will surely stand as one of the year’s best.

Track listing:
1. Song for the Damned
2. Run for Your Life
3. Ghosts
4. Black Mamba
5. Swing On
6. Stay

Review: The Mad Sugars – Amateur Hour EP

Artist: The Mad Sugars
Release: Amateur Hour EP (LISTEN)
Genre: Rock and/or Roll
Release Date: Jun. 23, 2015

When we last left The Mad Sugars, they had just come out with a three-track EP appropriately titled “Just a Taste.” Indeed, it was just a taste of what Adam Gruss and company would find themselves capable. Their latest effort, the “Amateur Hour EP,” signals a sonic evolution for the New York-based dance rock outfit.

Opening with the hooky “Matchmaker,” and featuring enhanced versions of “Just a Taste” holdovers “Just Keep Dancing” and “How She Likes It,” the record’s sound is fuller and more complex than its predecessor. Backing vocalists Sarah Golden and Anna Ritter – featured for quite some time during live performances – make their recording debut and find themselves providing well-balanced support for Gruss, who seems to have found a confident voice as a singer and lyricist on this six-track offering.

It’s fair to note that, even through the travails of nightlife that recur in Gruss’ lyrics, this record is meant to get you dancing. Even “The More You Spill,” surely the EP’s most overtly dark track, has a Franz Ferdinand-esque beat and bass groove that will get the staunchest of wallflowers nodding along. The track also features some stellar guitar work from longtime Gruss collaborator Dan Callas, which is hazy in all the right ways as it tells the tale of a night gone awry.

All in all, The Mad Sugars have a fun, mostly tongue-in-cheek record that pushes them beyond “Amateur Hour” and into the big leagues. Bring your dancing shoes and sense of humor, and you’ll find yourself going back for “Another,” again and again.

Track listing:
1. Matchmaker
2. Queen of the Club
3. Just Keep Dancing
4. Another
5. The More You Spill
6. How She Likes It

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