Category Archives: reviews

WATCH: Brother Dusty Makes Us Go ‘whoa’

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Last Wednesday — following our inaugural UnderDogs Across Borders livestream benefit concert — our friend and fellow UnderDog Brother Dusty held a special event in Nashville at The Underdog, in celebration of his birthday *and* the release of the music video for his new single, “whoa.” (Clips of the event have begun surfacing, in case you want to check ’em out.)

We can definitely understand why Dusty threw a party of such magnitude. This one is worth celebrating!

Produced in conjunction with Ensworth Guitars and directed by Anastasia Elliot and Josh Saltzman, “whoa” is a thrill ride that breaks the rules and bends the genres as only Brother Dusty can. The video was filmed on location at popular Nashville music venue The Underdog and the Garden Family Warehouse, and is as dynamic and explosive as the hard-hitting single for which it was created.

Brother Dusty is just getting warmed up. Make sure you keep an eye on his socials for updates, and watch the video below. It’s sure to make you go… “WHOA.”

On ‘Pretending to Read,’ Amelia Ray Interprets our Everyday Struggles

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With nothing more than some jazz-influenced guitar chords and her own stellar powers of observation, Amelia Ray has given us plenty to ponder about the human condition with her new single, “Pretending to Read.”

The new single — released in conjunction with the start of The Interpreter’s Soulveillance Tour — helps us connect and empathize with those spending life’s journey alongside us. Amelia assumes the role of a train passenger who, despite having an open book in front of her, is much more in tune with the plight of her fellow passengers. Smoky vocals and clean, simplistic guitar work help us float thoughtfully between characters and observations, before we come full circle to realize that all of these external distractions are preventing us from truly going inward.

If you want to learn more about Amelia Ray — and see if the Soulveillance Tour is coming to your city — head over here.

If you want to listen to “Pretending to Read” — and we’re sure you do — you can do that below!

Bailey Cole Doesn’t Want Fear to Hold You Back ‘Anymore’

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There are moments in life that call for us to push past our fears and limitations.

For these moments, we have “Anymore” — the smoldering new cinematic pop single from Bailey Cole. The contemplative new tune — described by Cole as “a declaration of self-worth and a reminder that growth means letting go of the fear that used to define you” — features Cole’s smoky vocals calling to us over a thoughtfully layered, atmospheric soundscape. The lyrics float through the ether with a palpable tension, not unlike the inner conflict that arises in us all before a major breakthrough.

“’Anymore’ is a personal reckoning—a song about the moment you realize you’re finally getting somewhere in life, and that quiet fear creeps in,” Cole said. “What if I lose it all again? It’s about refusing to let the past steal joy from your present.”

“Anymore” was produced by Adam Clark, mixed by Grammy-winner Mikaelin “Blue” Bluespruce (Solange, Nas), and mastered by Idania Valencia at Sterling Sound. It is the latest installment of Chapter 1, a series of singles that is set for a full project re-release later this year. Listen to it below, as you sttep away from your fears and into your power!

LISTEN: With ‘cross that line,’ Brooke Martin Addresses the Elephant in the Room

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What do we do when love begins to fade?

Brooke Martin confronts that question on “cross that line,” a groovy, upbeat new tune with melancholy undertones. Produced by GRAMMY-winning producer Chris Penny, the single’s shimmering pop soundscape juxtaposes adeptly with the sobering reality of a spark between two people that now struggles to ignite.

“To me, “cross that line” is such a fun, upbeat song—but the lyrics are quite sad when you really listen,” Martin said. “It’s about two people who love each other but are starting to realize they might not be right for each other anymore. There’s still hope—they’re trying to find their way back to the happiness they once had.”

“cross that line” was the first song written for Martin’s forthcoming EP, which is expected to drop later this September.

For now… go on. Cross that line. But once you do, there’s no turning back…

https://open.spotify.com/track/15UPQSEGPYKqKmblOOLs16?si=6d865897efa94f04

Not Sure Where to Go Next? Listen to This Song from Jon Worthy

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Nashville-based indie alt rock artist Jon Worthy has given all he has to music. He’s toured across the nation, consistently released music, and has been featured in 150 popular media outlets. He’s even been to the Lehigh Valley’s very own Musikfest in Bethlehem, where I’m from! To many aspiring artists, he has certainly made a successful music career.

After the pandemic, his music career went in a different direction. He began focusing on studio sessions, songwriting, and production, while answering the COVID-era question on every creative’s mind…

“Where do I go from here?”

Jon’s new tune, “I’ve Been Up, I’ve Been Down,” reminds you that you aren’t alone if you don’t know where to go. The dreamy, wayward tune details how his own journey changed direction, leaving him feeling like he didn’t know what to do next.

“It’s about living day by day, and just trying to enjoy life as it came to me,” he said. “It speaks to all the highs and lows of life, but being complacent and, at the same time, hoping something will really change for the better.”

I am most fascinated by the fact that Jon found healing in music, even as his path in the industry became uncertain. It’s almost like entering down the path of being lost is inevitable in order to find where to go next. It’s also inevitable for artists to create, because its apart of who we are. Expressing the confusion of feeling lost allows us to find our way. This is inspiring to me as an up-and-coming artist, and helps tame the questions and doubts in my own mind. It’s a reminder that it’s OK to not have it all figured out, all the time — just keep going and letting the music take you.

Stay on the lookout for Jon Worthy’s next collaborations, to be released in coming months. And remember: even if you don’t know where to go, have the hope one day you’ll make it

-Matt Schmoyer

LISTEN: Evan Kreutz Releases Spontaneous Summer Love Song, ‘last call’

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Summer is the time to lose track of time, forget your inhibitions, and fall in love.

Evan Kreutz captured the celestial spontaneity of discovering a new connection with his latest single, “last call.” What begins as a slow burning, acoustic rock daydream progresses with intensity toward alt-pop hyperspace, providing us with a proper interpretation of what it’s like to lose yourself in the excitement of exploring someone new.

“A breezy, feel-good ride built on impulse and connection, ‘last call’ is the sonic equivalent of taking the long way home with someone who makes you forget your worries,” Kreutz said. “It’s less about thinking and more about feeling—spontaneous, sweet, and exactly what you needed.”

“last call” was produced by Kreutz’s Young and Eager Entertainment co-founder Douglas Grama, and is the latest genre-bending stop on the road toward Kreutz’s forthcoming EP and deluxe album. Make sure you give Evan a follow to stay up to date on the latest!

LISTEN: YEARB4 Roars Back with ‘Rebel Without A Cause’

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Have you ever gone carelessly into a relationship, too distracted by the dopamine rush to recognize the abundance of red flags waving all around?

If that sounds like you — and if you like hard-driving, guitar-heavy rock and roll — you’re going to dig the latest single from YEARB4.

Titled “Rebel Without A Cause,” the scorching new summer anthem takes us from love bomb to discard in less than 3 1/2 minutes, leaving us breathless like the fling that ends without warning. The single was produced at Nashville’s East Iris Studios, and is the band’s first new offering since 2024’s “On My Own.”

“Rebel Without A Cause” kicks off a busy summer for YEARB4, who will perform in Nashville this Thursday, May 22 at Vinyl Lounge. After that, they’re hitting the road with our pal ARREIS, performing at Musica in Akron, OH on Sunday, June 15.

Go “Under the Stars” and Reminisce with This Song

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Although I’ve never been to Maine, this song makes me want to plan a camping trip to this lake and camp “Under the Stars” with my favorite people.

Recorded at Monaco Studios in Maine, “Under the Stars” by Andrew LaVogue is an American primitive guitar instrumental inspired by spending a night camping lakeside with best friends. It begins with dazzling finger picking guitar drenched in reverb, creating a feeling of anticipation that comes with knowing it’s going to be one of those night you’ll never forget.

As you listen, imagine sitting by a campfire with your favorite people. You’re laughing, singing, and sharing stories; living the precious moments while they are happening, and as they transition and fade into nostalgic memories. 

Recently, I reconnected with my childhood best friend and we reminisced on all of our memories together. I showed him this song, and we both felt the song shift to signal that all good things come to an end.

Such is life. All good things must come to an end to create space for the future. We mustn’t dwell of the sadness that comes when these moments end, but show gratitude that they happened in the first place.

With ‘Loser,’ Lips Speak Louder Inspires Us to Get Back Up, Even in Defeat

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“It evokes that familiar, deflative feeling we’ve all experienced before.” -Angie Lese, drummer for Lips Speak Louder

Lips Speak Louder’s sixth single release, “Loser,” is the UnderDog anthem you want to blast at full volume on a rainy day, when you’re fed up with life dealing continuous blows (despite your many attempts to keep your head up).

The song begins with building harmonic anticipation on a melodic guitar. The verse comes in, reminding us of the innocence of youth and all the expectations we had for life when we grew up. Then, chorus busts in with an admission: “I’m tired of proving, I’m so good at losing,” before telling us to stay tuned, to see if the band makes it out of “the same black hole.”

“It’s a song about burnout and frustration that comes with growing up, and realizing that you can  try your hardest and it won’t always be enough,” the band told us.

When you initially hear “Loser,” it gives the vibe of carefree life, spent cruising down the street on a skateboard before hanging with friends to catch a glorious sunset. Then, you feel the vulnerability of admitting that it’s tough to stay resilient when everything around you feels like it’s not working out.

Despite this sense of defeat, there is also a feeling of hope on “Loser” that things can and will be better on the other side of the struggle. The song provides a lonesome reminder that most of us are doing the best we can, even when the days constantly feel like an uphill battle. We remember not to bee too hard on ourselves and to keep pressing on, even at times when “doing our best” wasn’t good enough.

It’s important to keep getting back up. Then, just maybe, you’ll get a win every now and then.

LISTEN: On ‘Take Me Back to Austin,’ Jason Boland & The Stragglers Long for Home

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Photo credit: Will Von Bolton

It’s a great time of year to think about making a trip down to Austin.

And, if you’re Jason Boland, anytime is a great time to think about taking the trip.

“Take Me Back to Austin” — the final single from Jason Boland & The Stragglers’ forthcoming album, The Last Kings of Babylon — celebrates Boland’s adopted home of Austin, TX, where he met his wife and loves to return after time spent on the road.

“My wife and I lived in Austin when we first got together, and then we moved out into the country in Texas, where it can be pretty boring,” Boland explains. “People expect with how much time I spend on the road that I’d want to come home and kick my shoes off when I finally get a break, but all we ever want to do is head right back into Austin and catch a band.”

The down-home traditional country tune is carefree in its essence. Boland’s gentle, yet robust baritone illustrates a homecoming that feels like home, every time. Beautifully woven steel guitar and fiddle parts add depth to the sonic palette, trading lead duties during a riveting solo just before the bridge.

Alongside the rest of the new album, “Take Me Back to Austin” was produced by the legendary Lloyd Maines, who also produced the band’s debut album, Pearl Snaps. You’ll have a chance to hear it live at select dates throughout the southwest and midwest this spring. Before you do, enjoy it in the here and now!

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