Tag Archives: Muze

Musicians: 4 Key Areas to Invest Your Time

As a musician, what comes to mind when you hear the phrase “invest in yourself?”

Most people hear “invest,” and their minds immediately jump to finances. And, because the stereotypical “starving artist” doesn’t have much in the way of disposable income, hearing the “I” word can send shivers up the spines of independent musicians.

However, money is not the only asset available for creatives to invest. One could argue that time is even more valuable, and it’s an asset that we all have, regardless of our finances.

How you use your time will almost certainly determine how far you go in the music industry. If you’re looking for where to begin investing yours, I’ve compiled a list of suggestions.

Beginning Your Music Career? No More Procrastination!

Humans are masters at procrastination, especially when it comes to taking on a difficult task. As we all know, starting a music career – much like any creative endeavor – can be synonymous with the word “difficult.” You’re building a platform from zero, with no clear indication of how long it will take, or what challenges lie on the road ahead. Scary stuff!

Not only is procrastination a great way to not accomplish your goals; it’s harmfulA 2013 study from Psychological Science shows that procrastinators “end up suffering more and performing worse” than their counterparts. Indeed, those same fears that appear in place to protect us are actually hurting us in the long run.

The antidote to those fears – and the key to achieving your creative vision – is simple: Just start. Today, we’re going to take it a step further, and break down the excuses we make that often get in the way.

Why Risk Taking is Essential to Your Music Career

Taking risks is the only way to grow.

We’ve all heard that advice and perhaps we’ve even egged our fellow musicians and creatives on in such a way, as they’ve danced with their fears of the unknown.

However, in times of big decisions – of the choice between taking the leap, or playing it safe – we often find this advice most difficult to take ourselves.

Here’s why, even in the face of fear, risk taking not only worthwhile, but necessary to our creative journeys.

As a bonus, here’s a song about risk taking from our friend, Lord Goldie

Identifying Your Fears (and Ways to Push Past Them)

My “Navigating the Creative Journey” series (which I’m officially titling for the first time, right now) continues at the Muze blog with an acknowledgement of something that all must face and address.

FEAR.

This idea was actually inspired in part by some of our previous work here at Muze. Back in January, my colleague Luke wrote an insightful piece – which included personal examples – about the fears that hold musicians back from performing their craft, and wrapped it up with a beautiful resolution that encourages aspiring and emerging artists to douse their apprehension by enjoying the creative process itself.

Now that 2022 is winding into its final stages, I thought now would be a good time to re-visit the topic of fear. Specifically, I’m interested in diving into the specific, existential fears creatives may encounter when stepping out into the professional wilderness, and ways that we can navigate through them.

If you find yourself held back by overarching fears, my hope is that this piece provides you with the antidote to overcome – or at least, manage – your fears.

How to Get People to Attend Your Shows

In my previous article for Muze, we took a dive into the ways independent artists can book more shows, more often. From relationship building with venue managers and fellow artists, to making sure you deliver a complete, organized pitch, the steps are outlined to ensure that you find greater success, as you strive to bring your live show to new audiences.

But… you know what they say about a tree falling in a forest, right? If nobody is around to hear it, does it really make a sound? The final step in that article was to make sure you promote your show once it’s booked, to get people out and ensure that the venue is happy (thus, increasing the likelihood that you will be booked again in the future).

Last time, I promised to come back with ways to make your gig stand out as special, and to make it the place to be in any competitive live music market. That’s what we’ll do here today!

Tips and Tricks for Booking More Shows

With the worst of the COVID-19 pandemic (hopefully) behind us, more artists are emerging from their hiding places to rejoin the live music landscape. As more of your musical peers become comfortable performing for the masses in the weeks, months, and years ahead, booking gigs only figures to become more competitive. (Here in Nashville, it’s already approaching pre-pandemic levels).

So… how do you stay ahead of the curve, and ensure that you remain in the mix to be considered for performance opportunities? We have some tips and insights, acquired through years of navigating the live music landscape.

The Importance of Rest for Musicians and Creatives

The digital age brings numerous benefits for the independent creative. It is easier than ever to communicate your message, build community, and find your audience. We have more tools at our disposal to build a platform than ever before. When compared to previous generations and the limitations they experienced, we’re quite fortunate.

However, any society in the midst of rapid growth is bound to experience growing pains, and those of us within the ever-evolving digital landscape are not immune to this reality. Certainly, it is beneficial to have so many ways to build our creative empires. However, it can be so easy to get caught up in learning and utilizing the tools of the trade that we often forget to shut them off. Couple that with the FOMO (that’s Fear Of Missing Out) and comparison culture that digital technology has ushered to the forefront, and it can be difficult to feel like we’re ever truly doing enough.

We must break past that notion and remember that we are not machines. We are not born to endlessly create content to please the algorithmic gods, nor are we designed to spend all of our waking hours working. Every so often, we must remind ourselves of our humanity, and embrace the increasingly elusive concept of rest.

Not only is rest a fundamental human need. Contrary to what 21st Century hustle culture will have you believe, rest has numerous creative and health benefits that empower us to show up as our best selves, professionally and personally. As a creative entrepreneur – and one who often must pull myself, kicking and screaming, away from my own work – I took the initiative to convince myself through research, and nail down the reasons why rest is a good thing for those of us on the grind.

Building Community Through Music: How to Do It and Why It’s Important

In any creative endeavor, it is those who build strong communities who are most likely to see their platforms grow over time. Certainly, anybody can pick up an instrument, learn to play, and become adept enough at engineering and/or performing to put their music out into the world in some form. However, without building a strong support system of collaborators, patrons, and professional contacts, it becomes much more difficult to have your work reach and impact larger audiences.

If you’re going to put all of that work in, you might as well share it with other people. To do that, you must think about how your music – and all it encompasses – will help connect you to your audience. You must work to build community.

Finding the Right Artist Management (Part 2)

Artist managers are the true Swiss Army Knives of the music industry. A few weeks ago, we spoke to a couple of artist managers about their many varied responsibilities, the importance of a strong artist-manager relationship, and more.

Since then, we’ve had more artist managers reach out to us, ready to share their wisdom and experience with us all. One thing that we’ve found throughout this process that no two artist managers are the same. They all carry different responsibilities, which may even vary from client to client. Even so, there are a couple of universal details which can’t be ignored:

Management is a partnership between the manager and the artist, and relationships are everything.

Today, we have two more artist managers in our midst to share their perspectives, and they are:

  • Alex Halloran, Founder of Help The Bear Records and an artist manager with AGD Entertainment.
  • Nicolas Larsson Billett, CEO of Midas Music, Inc.

Finding the Right Artist Management

Artist managers wear many hats. However, at the core of their job is the responsibility of ensuring that artists move steadfast toward their long-term creative and professional visions. For certain, a manager is one of “The 10 People Musicians Need on Their Side.”

What, exactly, are a manager’s responsibilities, both in a long-term sense and a day-to-day sense? Can — or should — one manager take on all of those responsibilities single-handedly? How do managers help artists build a strong team culture around their craft?

We asked two artist managers – Nathan Dohse, co-founder of AGD Entertainment and the author of the Zero to 60 by AGD artist development program, and Lexee Shapiro, co-founder & artist manager, 9802 Management – to share their experience, and their insight proves tremendously valuable for any artist looking to secure management. Simply put, this is a must-read!

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