Tag Archives: album review

ALBUM REVIEW: With ‘A Small Notion,’ High Tea Showcases a Knack for Big Hooks

Based in the beautiful state of Massachusetts, High Tea consists of Isabella DeHerdt and Issac Eliot. Combining thoughtful songwriting with world class musicianship, Isabella and Issac have gone above and beyond with their new album, A Small Notion. The album provides songs that are gentle, alongside selections that bring a noticeable rebellious punk energy filtered through folkier sensibilities. 

A Small Notion has emotional weight drawn from their personal experiences of loss and change, with stories created to guide the listener through the journey. Starting with the title track – a folk rock offering with pop hooks – we are led into “A Stray in Lee County,” which is a true bluesy romp rock song, complete with strings and excellent vocals. 

“Paper Mache” is lighter and sweet, showing a softer side of the band, while “Ouch, Oh Shit” highlights the band’s ability to write a big chorus. I loved the layers of vocals on “Bittersweet Evenings,” a song which also includes a feature from Corey Latiman. 

“Heartbreak Kid” and “The Metaphysical and Technicolor End” both highlight the band’s musicianship, while “Scuba Diving” – a full band version of High Tea’s 2023 single – fits the album well. 

With another big chorus on “There Goes My Old Soul” – and, truthfully, nearly every song on A Small Notion – High Tea solidifies its knack for writing a hook. Then, to close out the album with a bang, we have “Poor Wayfaring Stranger” (featuring Chris Freeman) and “Shadows and Shadows” (featuring Heather Maloney). 
A Small Notion is a polished album created by experienced musicians. High Tea has successfully blended folk music with rock and punk, and made an album unlike any I’ve heard before. When listening, it’s impossible not to be impressed with the band’s songwriting abilities. Each song has its own distinct hook and identity.

REVIEW: Harlan, Saved Comes to the Rescue with ‘1958’

Dylan Odom — the Savannah, GA-based songsmith behind Harlan, Saved — didn’t act alone when he set out to release the project’s first EP, 1958. As good fortune would have it, he was able to enlist the help of his all-time favorite band.

Learn more and listen!

Heartbreaker or Heartbroken? Stephen Babcock Explores His Growth on ‘When We Were Kids Ourselves’

When Stephen Babcock comes to Nashville’s famous Bluebird Cafe this Friday, he will do so in celebration of his new album, When We Were Kids Ourselves. The 10-track offering is a nod to the ways we grow, as we encounter life changes and challenges in our relationships — with others, as well as ourselves.

“This album is about the journey and growth experiences post ‘growing up,'” Babcock states. “It’s so easy to feel isolated when you’re taking on something challenging in life, and we tend to normalize the idea that in adult life, we’re supposed to have it all figured out by now. I hope my music serves as a bastion for people experiencing challenging emotions, and I hope my voice can help those struggling to find the words they’re looking for in their own life.”

Check out the album!

The Tisburys Release Their First Full-Length Album, ‘Sun Goes Down’, In Time for Fall

Fittingly titled for a fall release, Sun Goes Down by The Tisburys feels like a collection of music from nostalgic eras, spanning from the 1960s to the 80s, and united together on one reflective album. Vibing off the sounds of John Mellencamp, Vanity Fair, Tom Petty, and Wilco, this album feels like an old favorite the first time through.

Read More & Listen

PREMIERE: The Blowies Have Fun Examining Society’s Ills on Self-Titled Album

Austin, TX-based punks The Blowies are celebrating the release of their self-titled album in unconventional fashion. They are hosting a week full of programming titled The Blowies National Convention on their socials, where their aim is to heal the nation “one blowie at a time.”

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Daily Spinn: With ‘Rivers,’ AGE of the BEAR Makes an Emotive, Introspective Debut

We’ve always known Anthony Cubbage to be an innovative songsmith – one whose abilities as a songwriter, performer, and producer uniquely position him to do just about anything he pleases in the world of music.

After listening through Rivers – his first full-length release under his alt-folk project, AGE of the BEAR – we’re doubling down. Cubbage can go anywhere, into any genre he pleases, and deliver the goods.

Navigate ‘Rivers’

LISTEN: Lyn Koonce Helps Us ‘Begin Again’

Like any major life transition, the end of a long-term relationship can cause rippling, wholesale changes in a person’s life.

For Lyn Koonce, the end of a 17-year relationship in 2016 served as that kind of turning point — one which led her to pursue music full-time and, eventually, find true love.

Begin Again
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