Tag Archives: alt country

LISTEN: On ‘What Doesn’t Make Me Stronger,’ Leah Martel Faces Her Demons

Healing isn’t linear — and sometimes, we get a reminder at a time we’d least expect.

For Leah Martel, it came at a time in her life when *everything* seemed to be clicking. She had just graduated, was in a wonderful new relationship, had a new job, and was enjoying a drama-free existence.

Even so, something felt amiss…

“I felt horrible. I was riddled with worry, anxiety, and a sense of doom,” Martel said. “Previous to this, there had always been a reason for those feelings, I had always been going through a difficult relationship, job, or living situation, and I realized that, even with those troubles gone, they left a mark on me. Even with all the monsters dead, a part of them lived inside of me now.”

In that space, Martel penned “What Doesn’t Make Me Stronger,” a gritty, alt-country tune about the ways our demons come back around to haunt us.

“I was just at the start of a mental health journey now and, for the first time, facing questions like, ‘can I actually overcome this, or am I broken forever?’ Martel said. “I knew one thing only, I was determined to keep trying, no matter what I had to face. That felt like a good thing, but also an ominous thing, like I might have to go through a lot more pain first before actually feeling better.”

That sense of determination shines through on “What Doesn’t Make Me Stronger.” Twangy lap steel and electric guitars flash glimmers of hope before leading us to a triumphant crescendo, while the tune’s textured, rootsy sensibility and intricate rhythmic layers speak to the sense of resolve it takes to slay our inner beasts — once and for all.

“Of all the songs I’ve recorded so far, this one felt like a truly special moment in the studio,” Martel said. “I was lucky enough to have the best pop and country guitar players I’ve ever met on this track. When we did the electric guitar and lap steel solos, I got shivers. My drummer (Brandon Pellatt) also pulled out the coolest percussion instruments — all these different shaker pods and balls, and it just added the coolest textures. I don’t think I’ve ever had so many different instruments on a song before, and it really became more than I ever envisioned.”

LISTEN: Midland, Orville Peck Release Interstellar Single, ‘The Hurtin’ Kind’

Photo credit: Will Byington Photography

Certain songs hit us with a feeling of amazement; these are the moments whose timelessness, through any era, nestles into our consciousness and resonates at a purely spiritual level.

It’s hard to say if outlaw country crooner Orville Peck knew he had that kind of moment on his hands, when he teamed up with two-time GRAMMY winners Midland to write “The Hurtin’ Kind.” But, if that was the goal, mission accomplished!

“The Hurtin’ Kind” — included on Peck’s new duets album, Stampede Vol. 1 — made its live debut on Midland’s Last Resort Cruise in April. Bass and hand percussion gently guide us in, swaying with a sensibility that recalls the romantic early days of rock and roll. From there, Peck’s soul-baring baritone makes its way in, with a richness fit for a King. Crisp harmonies and ambient guitar tones enter the scene next, filling out a wondrous, space-country soundscape that shimmers like a starry night over Utah’s dark sky country.

“Orville Peck is a dear friend of ours, and it’s an honor to be on this song with him,” said Midland. “We had a great time debuting ‘The Hurtin’ Kind’ live with Orville on our Last Resort Cruise last month. He’s an incredible performer and singer, and y’all are in for it with this one.”

Agreed. Y’all are in for it. What are you waiting for?

UMC20: Preview ‘A Night of Nashville Hip Hop’ + More (May 24, 2022)

First thing’s first: we’re going to need you to come to The Cobra Nashville this Friday for A Night of Nashville Hip Hop II. You can get tickets here as long as you’re 21 or older.

This week’s UMC20 spotlights the artists joining us this Friday night in East Nashville. They lead us off, and there’s plenty more fun where that came from. There’s a splash of pop, a whole lot of rock, and even a little Americana in there for your tastes.

Let’s go!

Listen to UMC20

PROFILE: Getting to Know Ryan Weaver

On the surface, Ryan Weaver is a country artist. And, as his latest single “Time Like This” suggests, he can hold his own among the genre’s best. The hard-driving tune’s lyrics are rooted in the blue-collar values of persistence and perseverance, and its power is enhanced by a nod to Weaver’s classic rock influence, courtesy of an emotive guitar solo straight out of the Richie Sambora playbook.

Learn More About Ryan

The Quinn’s Daily Spinn: Wednesday, June 5

Lately, we’ve come into contact with a lot of urban country artists who are both delightful performers and people. Like this one. And this one. Oh, and this one and all of these ones.

We have much love for the genre and those who have made it into the versatile, powerful force it has become. And, I can recall of the very point in time when I became aware that country, in all of its forms, is everywhere — including, even, the big city.

Hear Wednesday’s Daily Spinn

‘Tis the Season: Let’s Get Festive with Dogwood Tales

Artwork credit: Stephen Omark

Festival season is here and it’s one of my favorite times of the year for a number of reasons. As a musician, it provides several opportunities to perform in front of and be heard by larger audiences. It also presents an opportunity to network with those audiences. As a music lover, it’s a chance to discover new music. For me, the latter is as appealing as the former and I rarely, if ever, walk away disappointed.

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