Tag Archives: Americana

WATCH: Brother Dusty Makes Us Go ‘whoa’

Last Wednesday — following our inaugural UnderDogs Across Borders livestream benefit concert — our friend and fellow UnderDog Brother Dusty held a special event in Nashville at The Underdog, in celebration of his birthday *and* the release of the music video for his new single, “whoa.” (Clips of the event have begun surfacing, in case you want to check ’em out.)

We can definitely understand why Dusty threw a party of such magnitude. This one is worth celebrating!

Produced in conjunction with Ensworth Guitars and directed by Anastasia Elliot and Josh Saltzman, “whoa” is a thrill ride that breaks the rules and bends the genres as only Brother Dusty can. The video was filmed on location at popular Nashville music venue The Underdog and the Garden Family Warehouse, and is as dynamic and explosive as the hard-hitting single for which it was created.

Brother Dusty is just getting warmed up. Make sure you keep an eye on his socials for updates, and watch the video below. It’s sure to make you go… “WHOA.”

On ‘Pretending to Read,’ Amelia Ray Interprets our Everyday Struggles

With nothing more than some jazz-influenced guitar chords and her own stellar powers of observation, Amelia Ray has given us plenty to ponder about the human condition with her new single, “Pretending to Read.”

The new single — released in conjunction with the start of The Interpreter’s Soulveillance Tour — helps us connect and empathize with those spending life’s journey alongside us. Amelia assumes the role of a train passenger who, despite having an open book in front of her, is much more in tune with the plight of her fellow passengers. Smoky vocals and clean, simplistic guitar work help us float thoughtfully between characters and observations, before we come full circle to realize that all of these external distractions are preventing us from truly going inward.

If you want to learn more about Amelia Ray — and see if the Soulveillance Tour is coming to your city — head over here.

If you want to listen to “Pretending to Read” — and we’re sure you do — you can do that below!

LISTEN: On ‘Flowers (Party Version)’ Liv Greene Shows Us the Meaning of Self-Love

If your Valentine’s Day looked a little more like Singles Awareness Day this year, never fear. Liv Greene’s new Party Version of her song, “Flowers,” is here to give you the shot of self-love you need.

Tracked live-to-tape at Woodland Sound Studios during the sessions for Greene’s most recent album, Deep Feeler, the Party Version of “Flowers” was actually the first version cut for the record. That was before Greene and company re-imagined the song to fit the record’s more solemn tone.

“‘Flowers’ is one of the oldest songs on Deep Feeler, and was without a doubt the hardest to capture, requiring three tries in total. This outtake, ‘Flowers (Party Version)’ was our first attempt, and sort of my ode to country queens like Emmylou and Linda Ronstadt, with a Silver Threads-type intro and shuffly fiddle-heavy rhythm throughout,” Greene noted. “This original version, while undoubtedly the most fun to capture, never quite settled in with the rest of the record. The boisterous intro felt out of step and it slowly became clear there was a certain arc of grief and sadness to the song that felt under-emphasized as it stood.”

Described as “a vulnerable snapshot of hard-won self-acceptance,” Deep Feeler was produced by Greene alongside GRAMMY-Award winning engineer Matt Andrews (Gillian Welch & Dave Rawlings, Trisha Yearwood). Coming on the heels of the full-length record, “Flowers (Party Version)” gives us another snapshot into Greene’s creative process — and perhaps, a feeling of triumph over heartbreak and self-doubt.

“The last lines of ‘Flowers’ have always felt a little aspirational,” Greene said. “‘I am giving myself space, a little love, a little grace, I am buying myself flowers these days,’ so it only felt right to give this song the amount of time and space that it took to get it right, and to love on myself through it all, except maybe instead of flowers, it was studio time. Worth it.”

LISTEN: On ‘What Doesn’t Make Me Stronger,’ Leah Martel Faces Her Demons

Healing isn’t linear — and sometimes, we get a reminder at a time we’d least expect.

For Leah Martel, it came at a time in her life when *everything* seemed to be clicking. She had just graduated, was in a wonderful new relationship, had a new job, and was enjoying a drama-free existence.

Even so, something felt amiss…

“I felt horrible. I was riddled with worry, anxiety, and a sense of doom,” Martel said. “Previous to this, there had always been a reason for those feelings, I had always been going through a difficult relationship, job, or living situation, and I realized that, even with those troubles gone, they left a mark on me. Even with all the monsters dead, a part of them lived inside of me now.”

In that space, Martel penned “What Doesn’t Make Me Stronger,” a gritty, alt-country tune about the ways our demons come back around to haunt us.

“I was just at the start of a mental health journey now and, for the first time, facing questions like, ‘can I actually overcome this, or am I broken forever?’ Martel said. “I knew one thing only, I was determined to keep trying, no matter what I had to face. That felt like a good thing, but also an ominous thing, like I might have to go through a lot more pain first before actually feeling better.”

That sense of determination shines through on “What Doesn’t Make Me Stronger.” Twangy lap steel and electric guitars flash glimmers of hope before leading us to a triumphant crescendo, while the tune’s textured, rootsy sensibility and intricate rhythmic layers speak to the sense of resolve it takes to slay our inner beasts — once and for all.

“Of all the songs I’ve recorded so far, this one felt like a truly special moment in the studio,” Martel said. “I was lucky enough to have the best pop and country guitar players I’ve ever met on this track. When we did the electric guitar and lap steel solos, I got shivers. My drummer (Brandon Pellatt) also pulled out the coolest percussion instruments — all these different shaker pods and balls, and it just added the coolest textures. I don’t think I’ve ever had so many different instruments on a song before, and it really became more than I ever envisioned.”

Brittany Bishop: Cat Talk! (Oh, and Music Too…)

Don’t let the title fool you: we do way more than gush about our cats with our special guest, Nashville-based country artist Brittany Bishop.

But, now that we have your attention, we invite you to dive into this conversation, where Brittany opens up about her creative process and the importance of keeping it real, as she puts the finishing touches on her debut full-length record, coming in 2025!

This episode of The Quinn Spinn was recorded and produced at Helping Our Music Evolve, Nashville, TN.

Follow Brittany: https://www.instagram.com/brittanylanebishop/

Opening theme: REVEL 9 – All I’ve Become

The Quinn Spinn
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All-Americana: Sounds of the Season (and Any Season)

Sounds of the season have begun to make their way into the fold. In fact, this month’s edition of All-Americana kicks off with a couple of holiday tunes to get you in the spirit.

In addition, we have a healthy offering of new tunes that fit any season, as well as some holdovers from our November compilation. There are gorgeous tones and heartfelt stories throughout, and this one is sure to keep you warm as the winter chill sets in.

Track listing
Andi Jane – You’re a Mean One Mr. Grinch
Meghan VK – Christmas Tradition
David Tucker – Water It Down
Lauren Brabson – Notice
Max McNown – Better Me For You (Brown Eyes)
Amanda Keeley – Better Days
The Gringo Pistoleros – I Can Still Remember When
Lucie Glang and Joe Pope – Little Me
Wyman & the Wolves – Sundowner
Dylan Gerard – Need a Little Downtime
The Rebel Eves – Shake the Ground
Mikki Zip – Somethin’ to Write About
Brittany Bishop – Welcome Home
Chelsey Stallings – Give Him the Reins
Jacob Shipley – Death of Me
Dave Robertson & The Kiss List – The Green Light
Jaden Wright – East Kentucky Lady
Gary Hector – Waitin’ Around to Go Viral
Danny Himes – Las Vegas
John S. Long – Cold Stone

LISTEN: After Love and Loss, Amanda Keeley Finds ‘Better Days’

Acceptance is a vital part of moving on at the end of a relationship. That means coming to terms with everything that relationship was or wasn’t, and everything that it did — or did not — have the potential to be.

Amanda Keeley hits us with that realization with her new single, “Better Days.” The resilient tune paints expired love through an objective lens — an important part of the recovery process.

“The words came to me at a time where I needed help processing the loss and letting go of a longtime relationship,” Keeley said. “I’m grateful for this song finding its way through me as it helped immensely with closure and moving forward from a place of love.”

Keeley’s smoky vocals call to mind the soulful delivery of contemporaries like Sara Bareilles and Brandi Carlile, while the spellbinding, rhythmic folk-rock instrumental of “Better Days” conjures shades of Fleetwood Mac. The song’s steadfast tempo marches us along, akin to the days and weeks which provide clarity following a breakup.

“As a songwriter, I interpret many life experiences through songs. In this case, I found myself with certain lines floating through my mind like, ‘thought we were more than this, let us go, let it die, all the flowers have dried and just dust in the wind,'” Keeley said. “It really felt like the perfect way to clearly communicate how I was feeling. The grief I was experiencing was pretty intense; the ‘flowers’ felt like a representation of the need for a funeral of sorts to really grieve this loss, and once the flowers ‘dried and just dust in the wind,’ this was me coming to terms with it being over and letting go.”

“Better Days” is part of Keeley’s forthcoming album, which will dive further into the topics of loving, losing, and learning to love again.

“(The album) will be a compilation of songs telling stories of love; finding ourselves, our place in this world, and the one’s we’re meant to be with,” Keeley said. Also, stories of loss; heartbreak, letting go, and finally healing.”

WATCH: Max McNown Vows to Become a ‘Better Me For You’

Max McNown Night Diving

The purest form of love inspires us to find the best within ourselves; it causes us to confront and defeat our demons, so that we can show up better than we ever have.

Max McNown wrote about that type of life-changing love to create “Better Me For You (Brown Eyes),” from the forthcoming album Night Diving (out Jan. 24, 2025). The Billboard Country Rookie of the Month continues his scorching hot streak with an introspective pop-country ballad about rising to the occasion for the girl of his dreams.

“It’s more than just her alluring brown eyes that captivate him,” shares Max. “She imbues goodness and, above all, has a ‘heart of gold.’”

The release of “Better Me For You (Brown Eyes)” is accompanied by an official performance video, which you can watch below. If you want to catch McNown live, you won’t have to wait long — his debut headline tour kicks off in January. However, you’ll want to get tickets fast, as dates in New York City, Los Angeles, Seattle, Chicago, and other cities have already sold out.

PHOTOS: Gussapolooza, Day 1: We Arrive North

The late summer sun was shining. Shades of sky blue and kelly green draped over the Canadian landscape, as I drove into Ontario by way of the Ambassador Bridge, connecting Detroit to Windsor.

I — and UMC — had never been here before. Not only did I find myself in another country, but I was there on behalf of this plucky little platform I started with a USB mic, laptop, and idea in my childhood bedroom 11 years prior. Surreal.

I still had a few more hours to go before I’d arrive to my destination: Cookstown, about an hour north of Toronto. Gussapolooza — an emerging festival for independent artists — was set to begin.

I arrived shortly after 5 p.m. ET, where I was greeted warmly by organizers and volunteers. After getting camp situated, I grabbed my camera and walked up to the festival’s dual main stage setup.

Suddenly, we were off to the races.

Throughout the evening, I found myself remarking at the talent and diversity on the lineup. It felt that, with each new performance, I had found my new favorite moment of the night.

Moreover, all of us in attendance were free and encouraged to create and enjoy it all. It became evident quickly that Gussapolooza is more than a festival; it’s a community that brings us back to the fundamentals, while providing meaningful opportunities for artistic expression.

Certainly, to build a career in this industry, there is a necessary emphasis on the business side that we all must embrace. However — if just for a weekend — Gussapolooza invited us all to drop the pretense, come as we are, and find unity in the art form that inspired our creative journeys.

Gussapolooza was here for another year, and it was ready to remind us why we do what we do.

Note: I tried to get to every performance, but there were a few I missed throughout the weekend, in the flow of things. If I missed yours, I offer my humblest apologies. Let’s make it up sometime!

Brigitte Eve (IG | Spotify)

In Your Walls (IG | Spotify)

Freightliner (IG | Spotify)

Usual Suspektz (IG | Spotify)

Cudbear (IG | Spotify)

Ashley Gilmore (IG | Spotify)

Feral Minks (IG | Spotify)

Jeff Gutteridge (IG | Spotify)

The Manic Boys & Girls Club (IG | Spotify)

CMAGIC5 (IG | Spotify)

PHOTOS: Tenille Townes & Friends Pay Tribute to Patty Griffin

One of country music’s modern-day stars took the 3rd & Lindsley stage in Nashville this week, gathering a few notable friends to honor a folk legend.

Tenille Townes headlined a sold-out evening celebrating the songs and stories of multi-time GRAMMY winner, Patty Griffin. The 90-minute set featured a variety of cuts from throughout Griffin’s revered 30+-year career, presented with the passion and reverence befitting a folk icon.

Townes was joined by an all-star lineup of special guests throughout the night. These included GRAMMY-, CMA-, and ACM-winning Ashley McBryde; Nashville-based Southern rockers The Cadillac Three; and rising country artists Caylee Hammack and Meg McRee.

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