Tag Archives: country

REPLAY: UnderDogs Across Borders, Vol. 3

Donate to UnderDogs Across Borders here!

This month’s UnderDogs Across Borders concert is perhaps our most genre-diverse offering to date, featuring performances from across the musical spectrum and beyond.

Tonight and through October, your support of UnderDogs Across Borders helps us bring the UnderDogs to New Orleans for NOLA MusiCon 2025, taking place Oct. 28-30. More details about our plans are coming very soon!

Our September 16 lineup includes:

  • Impactful spoken word artist Jazzy the Uncontrolled Goddess
  • Nashville hip hop legend E.T.
  • Revolutionary hip hop artist T.R.A.N.E. Spitta
  • Multi-genre, multi-instrumental wizard Brother Dusty
  • Dynamic ‘ROCK&B’ artist Tony Carpenter

UnderDogs Across Borders: Vol. 3

Our next installment of UnderDogs Across Borders: The Concert Series will take place live from Helping Our Music Evolve in Nashville on Tuesday, September 16 from 7-9 p.m.

WATCH OUR JULY CONCERT | WATCH OUR AUGUST CONCERT

Co-hosted by Nicolas Soul (with an assist from the guy writing this post), our next UnderDogs Across Borders concert is perhaps our most genre-diverse offering to date, featuring performances from across the musical spectrum and beyond.

Our September 16 lineup includes:

  • Impactful spoken word artist Jazzy the Uncontrolled Goddess
  • Nashville hip hop legend E.T.
  • Revolutionary hip hop artist T.R.A.N.E. Spitta
  • Dynamic ‘ROCK&B’ artist Tony Carpenter
  • Multi-genre, multi-instrumental wizard Brother Dusty

If you’re in Nashville, join us at H.O.M.E. (615 Main St., Suite G1, Nashville). If you’re not, join us from absolutely anywhere in the world with internet on our YouTube channel. As always, we kindly ask you to make a $10 suggested donation to our UnderDogs Across Borders campaign, which you can do anytime by clicking on this link!

LISTEN: On ‘Take Me Back to Austin,’ Jason Boland & The Stragglers Long for Home

Photo credit: Will Von Bolton

It’s a great time of year to think about making a trip down to Austin.

And, if you’re Jason Boland, anytime is a great time to think about taking the trip.

“Take Me Back to Austin” — the final single from Jason Boland & The Stragglers’ forthcoming album, The Last Kings of Babylon — celebrates Boland’s adopted home of Austin, TX, where he met his wife and loves to return after time spent on the road.

“My wife and I lived in Austin when we first got together, and then we moved out into the country in Texas, where it can be pretty boring,” Boland explains. “People expect with how much time I spend on the road that I’d want to come home and kick my shoes off when I finally get a break, but all we ever want to do is head right back into Austin and catch a band.”

The down-home traditional country tune is carefree in its essence. Boland’s gentle, yet robust baritone illustrates a homecoming that feels like home, every time. Beautifully woven steel guitar and fiddle parts add depth to the sonic palette, trading lead duties during a riveting solo just before the bridge.

Alongside the rest of the new album, “Take Me Back to Austin” was produced by the legendary Lloyd Maines, who also produced the band’s debut album, Pearl Snaps. You’ll have a chance to hear it live at select dates throughout the southwest and midwest this spring. Before you do, enjoy it in the here and now!

LISTEN: On ‘What Doesn’t Make Me Stronger,’ Leah Martel Faces Her Demons

Healing isn’t linear — and sometimes, we get a reminder at a time we’d least expect.

For Leah Martel, it came at a time in her life when *everything* seemed to be clicking. She had just graduated, was in a wonderful new relationship, had a new job, and was enjoying a drama-free existence.

Even so, something felt amiss…

“I felt horrible. I was riddled with worry, anxiety, and a sense of doom,” Martel said. “Previous to this, there had always been a reason for those feelings, I had always been going through a difficult relationship, job, or living situation, and I realized that, even with those troubles gone, they left a mark on me. Even with all the monsters dead, a part of them lived inside of me now.”

In that space, Martel penned “What Doesn’t Make Me Stronger,” a gritty, alt-country tune about the ways our demons come back around to haunt us.

“I was just at the start of a mental health journey now and, for the first time, facing questions like, ‘can I actually overcome this, or am I broken forever?’ Martel said. “I knew one thing only, I was determined to keep trying, no matter what I had to face. That felt like a good thing, but also an ominous thing, like I might have to go through a lot more pain first before actually feeling better.”

That sense of determination shines through on “What Doesn’t Make Me Stronger.” Twangy lap steel and electric guitars flash glimmers of hope before leading us to a triumphant crescendo, while the tune’s textured, rootsy sensibility and intricate rhythmic layers speak to the sense of resolve it takes to slay our inner beasts — once and for all.

“Of all the songs I’ve recorded so far, this one felt like a truly special moment in the studio,” Martel said. “I was lucky enough to have the best pop and country guitar players I’ve ever met on this track. When we did the electric guitar and lap steel solos, I got shivers. My drummer (Brandon Pellatt) also pulled out the coolest percussion instruments — all these different shaker pods and balls, and it just added the coolest textures. I don’t think I’ve ever had so many different instruments on a song before, and it really became more than I ever envisioned.”

LISTEN: Tyler Lorette Found a Girl Who Feels Like ‘Home’

Have you ever met someone who felt so safe, that everything just clicked?

Tyler Lorette has been there. On his new single, “Home,” the Canadian-born country artist “describes that feeling when someone comes into your life and, in an instant, it feels comfortable – just like home.”

“This song is a true story and was a 1 a.m. inspiration. I was sitting in my home studio with my guitar and came up with opening line, and just kept playing out the story as it progressed to through the chorus,” Lorette recalled. “I brought the song to my co-writer, Roberta Michele. We made a few tweaks, worked with my co-producer, Adam Newcomb, and this beautiful song was born.”

The polished new single features richly layered instrumentation, gorgeous steel guitar tones, and an infectious bass groove. Add it all together with a memorable hook, and you have a new country playlist staple that is equal parts accessible and heartfelt.

Time to take it “Home.” Stream it below!

All-Americana: Sounds of the Season (and Any Season)

Sounds of the season have begun to make their way into the fold. In fact, this month’s edition of All-Americana kicks off with a couple of holiday tunes to get you in the spirit.

In addition, we have a healthy offering of new tunes that fit any season, as well as some holdovers from our November compilation. There are gorgeous tones and heartfelt stories throughout, and this one is sure to keep you warm as the winter chill sets in.

Track listing
Andi Jane – You’re a Mean One Mr. Grinch
Meghan VK – Christmas Tradition
David Tucker – Water It Down
Lauren Brabson – Notice
Max McNown – Better Me For You (Brown Eyes)
Amanda Keeley – Better Days
The Gringo Pistoleros – I Can Still Remember When
Lucie Glang and Joe Pope – Little Me
Wyman & the Wolves – Sundowner
Dylan Gerard – Need a Little Downtime
The Rebel Eves – Shake the Ground
Mikki Zip – Somethin’ to Write About
Brittany Bishop – Welcome Home
Chelsey Stallings – Give Him the Reins
Jacob Shipley – Death of Me
Dave Robertson & The Kiss List – The Green Light
Jaden Wright – East Kentucky Lady
Gary Hector – Waitin’ Around to Go Viral
Danny Himes – Las Vegas
John S. Long – Cold Stone

WATCH: Max McNown Vows to Become a ‘Better Me For You’

Max McNown Night Diving

The purest form of love inspires us to find the best within ourselves; it causes us to confront and defeat our demons, so that we can show up better than we ever have.

Max McNown wrote about that type of life-changing love to create “Better Me For You (Brown Eyes),” from the forthcoming album Night Diving (out Jan. 24, 2025). The Billboard Country Rookie of the Month continues his scorching hot streak with an introspective pop-country ballad about rising to the occasion for the girl of his dreams.

“It’s more than just her alluring brown eyes that captivate him,” shares Max. “She imbues goodness and, above all, has a ‘heart of gold.’”

The release of “Better Me For You (Brown Eyes)” is accompanied by an official performance video, which you can watch below. If you want to catch McNown live, you won’t have to wait long — his debut headline tour kicks off in January. However, you’ll want to get tickets fast, as dates in New York City, Los Angeles, Seattle, Chicago, and other cities have already sold out.

LISTEN: David Tucker Has a Hard Time ‘Forgetting Her’

Missing somebody means missing all of them — even the little things that make us crazy.

David Tucker explores the difficulties of moving on with “Forgetting Her,” a spacious pop-country waltz that makes us consider whether walking away is really the right move…

“I’m tired of getting eight hours cause she isn’t keeping me up
I’m tired of not being late cause her hair don’t look good enough
I wish I could still see the face that she makes
When something I did isn’t going her way
If you’re ever thinking that loving her is too much for you to take
Try forgetting her.”

-David Tucker, “Forgetting Her”

Co-written alongside longtime collaborator Jake Saghi and seasoned Nashville artist Qvint, “Forgetting Her” has been making waves on the musical landscape. The single was exclusively premiered by PEOPLE Magazine last month — and, with its heartfelt subject matter and absolutely gorgeous vocal harmonies, it’s easy to understand why this one has gained traction — with listeners and media outlets alike!

PHOTOS: Gussapolooza, Day 1: We Arrive North

The late summer sun was shining. Shades of sky blue and kelly green draped over the Canadian landscape, as I drove into Ontario by way of the Ambassador Bridge, connecting Detroit to Windsor.

I — and UMC — had never been here before. Not only did I find myself in another country, but I was there on behalf of this plucky little platform I started with a USB mic, laptop, and idea in my childhood bedroom 11 years prior. Surreal.

I still had a few more hours to go before I’d arrive to my destination: Cookstown, about an hour north of Toronto. Gussapolooza — an emerging festival for independent artists — was set to begin.

I arrived shortly after 5 p.m. ET, where I was greeted warmly by organizers and volunteers. After getting camp situated, I grabbed my camera and walked up to the festival’s dual main stage setup.

Suddenly, we were off to the races.

Throughout the evening, I found myself remarking at the talent and diversity on the lineup. It felt that, with each new performance, I had found my new favorite moment of the night.

Moreover, all of us in attendance were free and encouraged to create and enjoy it all. It became evident quickly that Gussapolooza is more than a festival; it’s a community that brings us back to the fundamentals, while providing meaningful opportunities for artistic expression.

Certainly, to build a career in this industry, there is a necessary emphasis on the business side that we all must embrace. However — if just for a weekend — Gussapolooza invited us all to drop the pretense, come as we are, and find unity in the art form that inspired our creative journeys.

Gussapolooza was here for another year, and it was ready to remind us why we do what we do.

Note: I tried to get to every performance, but there were a few I missed throughout the weekend, in the flow of things. If I missed yours, I offer my humblest apologies. Let’s make it up sometime!

Brigitte Eve (IG | Spotify)

In Your Walls (IG | Spotify)

Freightliner (IG | Spotify)

Usual Suspektz (IG | Spotify)

Cudbear (IG | Spotify)

Ashley Gilmore (IG | Spotify)

Feral Minks (IG | Spotify)

Jeff Gutteridge (IG | Spotify)

The Manic Boys & Girls Club (IG | Spotify)

CMAGIC5 (IG | Spotify)

LISTEN: Hannah Geiser Enters the Chat with ‘Exit Sign’

At the top of 2024, we were introduced to Hannah Geiser, who we caught performing at Live Oak Nashville during the first Native Manor Heavy Hitters lineup of the year.

Fast forward a few months later, and the world has now been introduced to Hannah by way of her blistering debut single, “Exit Sign.”

“I do my best thinking and songwriting while driving, and have nothing else to worry about except what’s in front of me,” Geiser said. “I was on a solo roadtrip and kept seeing all these exit signs and thought to myself, “It’s the sign to go. It’s the sign to leave, and it sometimes comes when you least expected it.” I knew there was a story to be told, so I wrote it down in my “hookbook.” A couple weeks later, I had a write with my good friend Allie Roar and pitched the idea to her. We wrote it in one sitting, and the song grew into what is now my debut single!”

“Exit Sign” is a summer scorcher. Instrumentally, the guitar-heavy tune draws inspiration from modern-day greats like Chris Stapleton and Marcus King. Meanwhile, Geiser’s vocal is timeless in its essence, providing a stirring fusion of country, rock, and soul that gives this newcomer significant standout appeal.

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