Tag Archives: country

On ‘What We Can’t Say,’ Ty Warner Observes a Love Disconnected

Our friend and fellow UnderDog Ty Warner has been on a hot streak so far in 2026. It wasn’t too long ago that we told you about “Connor’s Crawl,” the instrumental, jazz-influenced single released in honor of Warner’s precocious young grandson, Connor.

This time, the Air Force veteran-turned-full-time musician adds his voice back into the mix with “What We Can’t Say,” a mid-tempo Americana ballad which explores the ways our minds can interfere with love.

“Romance is an illogical concept,” Warner said in a video posted to social media. “It’s not like balancing a checkbook or knowing when your car payment is due. It’s based on emotion.”

The story of “What We Can’t Say” positions Warner as an observer of two lovers struggling to work through communication issues and find common ground through the love they share. The tune’s beautifully layered Americana soundscape — produced by Jim Thacker of Kazen Music Group — adds a wistful tone to support the narrative. A listener might imagine “What We Can’t Say” weaving into the post-breakup montage of an indie film, as two individuals pause, reflect, and realize that they’re stronger as a pair.

“What We Can’t Say” features Warner on lead vocals and acoustic guitar, with Thacker performing electric and bass guitar duties. Asha Sun provided backing vocals, and GRAMMY-winner Robin Ruddy added a classic country touch with her work on the dobro. Elements of the single were tracked both in Nashville by Scott Griffin, as well as by Vante Anderson at Wyoming Wave Studios in Cheyenne, WY.

As for the artwork? The tradition of artwork designed by the Warner grandchildren continues, as the cover art for “What We Can’t Say” was designed by Warner’s granddaughter, Nora Jo.

Who will be the first to say, “I love you?”

On ‘Woke Up In LA,’ Jesse Lynn Madera Preaches Love — Even When It’s Tough

Photo credit: Alysse Gafkjen

I don’t care how you treat me
I love you completely
Through the dog days
I’m yours anyway
I was begging and pleading
And you just laid there sleeping
And I prayed to fly away
I woke up in LA again today
.”

Caught between mundane realities and greener pastures, Jesse Lynn Madera’s latest single, “Woke Up In LA,” is a tender slice of Americana which serves as “a testament to resilience and the persistence of love, even through ‘the dog days.’

Inspired by her early days of living in Los Angeles after re-locating from New York City, Madera paints a picture of love’s imperfections; the ways that our wounds show up when we try to love someone, the damage caused by words both said and unsaid, and the resolve to find a way forward despite it all.

“It’s the most me-sounding stuff I’ve put out yet,” Madera said. “It’s the artist’s job to reflect the truth, to hopefully help the listener feel seen and understood through having the courage to try to understand ourselves.”

It is in those attempts to find understanding that we uncover the truth about what’s best for us. Over time, we learn not to seek perfection from life, and we realize that the escapes we seek — to a simpler life in Montana, or anywhere else — offer only temporary relief from the underlying narratives that shape us as individuals.

The song’s official music video — curated and edited by Madera — is a live-action scrapbook of her story so far, intermingling heartwarming clips from early childhood to snapshots of her present-day reality. It’s an opportunity for the West Virginia native to lean all the way in, as she accepts and expresses all parts of what makes her human.

“I feel less protective of my experiences now,” Madera said. “I have so many tales to tell and I want to claim my story.”

REPLAY: UnderDogs Across Borders, Vol. 3

Donate to UnderDogs Across Borders here!

This month’s UnderDogs Across Borders concert is perhaps our most genre-diverse offering to date, featuring performances from across the musical spectrum and beyond.

Tonight and through October, your support of UnderDogs Across Borders helps us bring the UnderDogs to New Orleans for NOLA MusiCon 2025, taking place Oct. 28-30. More details about our plans are coming very soon!

Our September 16 lineup includes:

  • Impactful spoken word artist Jazzy the Uncontrolled Goddess
  • Nashville hip hop legend E.T.
  • Revolutionary hip hop artist T.R.A.N.E. Spitta
  • Multi-genre, multi-instrumental wizard Brother Dusty
  • Dynamic ‘ROCK&B’ artist Tony Carpenter

UnderDogs Across Borders: Vol. 3

Our next installment of UnderDogs Across Borders: The Concert Series will take place live from Helping Our Music Evolve in Nashville on Tuesday, September 16 from 7-9 p.m.

WATCH OUR JULY CONCERT | WATCH OUR AUGUST CONCERT

Co-hosted by Nicolas Soul (with an assist from the guy writing this post), our next UnderDogs Across Borders concert is perhaps our most genre-diverse offering to date, featuring performances from across the musical spectrum and beyond.

Our September 16 lineup includes:

  • Impactful spoken word artist Jazzy the Uncontrolled Goddess
  • Nashville hip hop legend E.T.
  • Revolutionary hip hop artist T.R.A.N.E. Spitta
  • Dynamic ‘ROCK&B’ artist Tony Carpenter
  • Multi-genre, multi-instrumental wizard Brother Dusty

If you’re in Nashville, join us at H.O.M.E. (615 Main St., Suite G1, Nashville). If you’re not, join us from absolutely anywhere in the world with internet on our YouTube channel. As always, we kindly ask you to make a $10 suggested donation to our UnderDogs Across Borders campaign, which you can do anytime by clicking on this link!

LISTEN: On ‘Take Me Back to Austin,’ Jason Boland & The Stragglers Long for Home

Photo credit: Will Von Bolton

It’s a great time of year to think about making a trip down to Austin.

And, if you’re Jason Boland, anytime is a great time to think about taking the trip.

“Take Me Back to Austin” — the final single from Jason Boland & The Stragglers’ forthcoming album, The Last Kings of Babylon — celebrates Boland’s adopted home of Austin, TX, where he met his wife and loves to return after time spent on the road.

“My wife and I lived in Austin when we first got together, and then we moved out into the country in Texas, where it can be pretty boring,” Boland explains. “People expect with how much time I spend on the road that I’d want to come home and kick my shoes off when I finally get a break, but all we ever want to do is head right back into Austin and catch a band.”

The down-home traditional country tune is carefree in its essence. Boland’s gentle, yet robust baritone illustrates a homecoming that feels like home, every time. Beautifully woven steel guitar and fiddle parts add depth to the sonic palette, trading lead duties during a riveting solo just before the bridge.

Alongside the rest of the new album, “Take Me Back to Austin” was produced by the legendary Lloyd Maines, who also produced the band’s debut album, Pearl Snaps. You’ll have a chance to hear it live at select dates throughout the southwest and midwest this spring. Before you do, enjoy it in the here and now!

LISTEN: On ‘What Doesn’t Make Me Stronger,’ Leah Martel Faces Her Demons

Healing isn’t linear — and sometimes, we get a reminder at a time we’d least expect.

For Leah Martel, it came at a time in her life when *everything* seemed to be clicking. She had just graduated, was in a wonderful new relationship, had a new job, and was enjoying a drama-free existence.

Even so, something felt amiss…

“I felt horrible. I was riddled with worry, anxiety, and a sense of doom,” Martel said. “Previous to this, there had always been a reason for those feelings, I had always been going through a difficult relationship, job, or living situation, and I realized that, even with those troubles gone, they left a mark on me. Even with all the monsters dead, a part of them lived inside of me now.”

In that space, Martel penned “What Doesn’t Make Me Stronger,” a gritty, alt-country tune about the ways our demons come back around to haunt us.

“I was just at the start of a mental health journey now and, for the first time, facing questions like, ‘can I actually overcome this, or am I broken forever?’ Martel said. “I knew one thing only, I was determined to keep trying, no matter what I had to face. That felt like a good thing, but also an ominous thing, like I might have to go through a lot more pain first before actually feeling better.”

That sense of determination shines through on “What Doesn’t Make Me Stronger.” Twangy lap steel and electric guitars flash glimmers of hope before leading us to a triumphant crescendo, while the tune’s textured, rootsy sensibility and intricate rhythmic layers speak to the sense of resolve it takes to slay our inner beasts — once and for all.

“Of all the songs I’ve recorded so far, this one felt like a truly special moment in the studio,” Martel said. “I was lucky enough to have the best pop and country guitar players I’ve ever met on this track. When we did the electric guitar and lap steel solos, I got shivers. My drummer (Brandon Pellatt) also pulled out the coolest percussion instruments — all these different shaker pods and balls, and it just added the coolest textures. I don’t think I’ve ever had so many different instruments on a song before, and it really became more than I ever envisioned.”

LISTEN: Tyler Lorette Found a Girl Who Feels Like ‘Home’

Have you ever met someone who felt so safe, that everything just clicked?

Tyler Lorette has been there. On his new single, “Home,” the Canadian-born country artist “describes that feeling when someone comes into your life and, in an instant, it feels comfortable – just like home.”

“This song is a true story and was a 1 a.m. inspiration. I was sitting in my home studio with my guitar and came up with opening line, and just kept playing out the story as it progressed to through the chorus,” Lorette recalled. “I brought the song to my co-writer, Roberta Michele. We made a few tweaks, worked with my co-producer, Adam Newcomb, and this beautiful song was born.”

The polished new single features richly layered instrumentation, gorgeous steel guitar tones, and an infectious bass groove. Add it all together with a memorable hook, and you have a new country playlist staple that is equal parts accessible and heartfelt.

Time to take it “Home.” Stream it below!

All-Americana: Sounds of the Season (and Any Season)

Sounds of the season have begun to make their way into the fold. In fact, this month’s edition of All-Americana kicks off with a couple of holiday tunes to get you in the spirit.

In addition, we have a healthy offering of new tunes that fit any season, as well as some holdovers from our November compilation. There are gorgeous tones and heartfelt stories throughout, and this one is sure to keep you warm as the winter chill sets in.

Track listing
Andi Jane – You’re a Mean One Mr. Grinch
Meghan VK – Christmas Tradition
David Tucker – Water It Down
Lauren Brabson – Notice
Max McNown – Better Me For You (Brown Eyes)
Amanda Keeley – Better Days
The Gringo Pistoleros – I Can Still Remember When
Lucie Glang and Joe Pope – Little Me
Wyman & the Wolves – Sundowner
Dylan Gerard – Need a Little Downtime
The Rebel Eves – Shake the Ground
Mikki Zip – Somethin’ to Write About
Brittany Bishop – Welcome Home
Chelsey Stallings – Give Him the Reins
Jacob Shipley – Death of Me
Dave Robertson & The Kiss List – The Green Light
Jaden Wright – East Kentucky Lady
Gary Hector – Waitin’ Around to Go Viral
Danny Himes – Las Vegas
John S. Long – Cold Stone

WATCH: Max McNown Vows to Become a ‘Better Me For You’

Max McNown Night Diving

The purest form of love inspires us to find the best within ourselves; it causes us to confront and defeat our demons, so that we can show up better than we ever have.

Max McNown wrote about that type of life-changing love to create “Better Me For You (Brown Eyes),” from the forthcoming album Night Diving (out Jan. 24, 2025). The Billboard Country Rookie of the Month continues his scorching hot streak with an introspective pop-country ballad about rising to the occasion for the girl of his dreams.

“It’s more than just her alluring brown eyes that captivate him,” shares Max. “She imbues goodness and, above all, has a ‘heart of gold.’”

The release of “Better Me For You (Brown Eyes)” is accompanied by an official performance video, which you can watch below. If you want to catch McNown live, you won’t have to wait long — his debut headline tour kicks off in January. However, you’ll want to get tickets fast, as dates in New York City, Los Angeles, Seattle, Chicago, and other cities have already sold out.

LISTEN: David Tucker Has a Hard Time ‘Forgetting Her’

Missing somebody means missing all of them — even the little things that make us crazy.

David Tucker explores the difficulties of moving on with “Forgetting Her,” a spacious pop-country waltz that makes us consider whether walking away is really the right move…

“I’m tired of getting eight hours cause she isn’t keeping me up
I’m tired of not being late cause her hair don’t look good enough
I wish I could still see the face that she makes
When something I did isn’t going her way
If you’re ever thinking that loving her is too much for you to take
Try forgetting her.”

-David Tucker, “Forgetting Her”

Co-written alongside longtime collaborator Jake Saghi and seasoned Nashville artist Qvint, “Forgetting Her” has been making waves on the musical landscape. The single was exclusively premiered by PEOPLE Magazine last month — and, with its heartfelt subject matter and absolutely gorgeous vocal harmonies, it’s easy to understand why this one has gained traction — with listeners and media outlets alike!

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