Tag Archives: single review

Stacey Kelleher Just Wants to ‘Laugh About It’ Already!

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Have you ever wished you could just skip ahead to the part where you’ve moved on from your ex?

Stacey Kelleher released “Laugh About It” to capture that feeling. Released on June 12, the lush alt-country tune is an opportunity for the Nashville-based artist to look ahead to brighter days… even if she’s still stuck in the post-breakup muck, feeling like the joke is on her.

“‘Laugh About It’ is how you feel when you’re just waiting on the day you’ll finally get over someone,” Kelleher said. “You’re broken up, you know it’s not going to work out, you’re not going to get back together… but you’re still caught up on them and heartbroken. You know that one day you’ll be over it; it’s just a matter of waiting on that day.”

If you’re subscribed to Apple Music’s ‘New in Country’ playlist, “Laugh About It” might sound familiar. It was added to the playlist on release day — another milestone for this rising artist, as she prepares to release her first full-length project this fall.

Written alongside Robyn Ottolini and Taylor Macres, “Laugh About It” was produced by Kelleher alongside Justin Wilson, with mastering duties performed by Joe Hutchinson. And now, it’s here for you!

On ‘Butterfly Effect,’ Noelle McFarland Longs to be the Life of the Party

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Have you ever been in the presence of somebody who is so good with people, that it leaves you feeling a bit envious?

Noelle McFarland explores this phenomenon on “Butterfly Effect,” the country-tinged folk-pop banger released back in May. The rollicking tune positions our protagonist as a fly on the wall, observing a girl who so seamlessly stands out as the life of the party.

“The girl described in these lyrics is excellent with people; she knows how to read a room and bring life to it, a skill that seems to come naturally to he,” McFarland notes. “As the narrator, I sing about her with a mix of jealousy, curiosity, and almost romance at times. This is intentional and meant to hint at some underlying projection. Perhaps human connection can feel unnatural to us all sometimes, but we all long for it just the same.”

“Butterfly Effect” was written by McFarland on guitar and co-produced with Aidan Rex, who teamed with McFarland to create a lush soundscape that is ready for festival season!

“We had a great time playing around with instruments to really fill up the track and give it a big atmospheric sound,” McFarland said. “There’s a combination of live drums and digital percussion. Most of the synths and pads you hear we created ourselves. We also used some layered vocal tags as their own sample/instrument, which is one of my favorite ways to use my vocal degree!”

The release was accompanied by a surprise B-side, “Father’s Daughter, Mother’s Son.” The dreamy, introspective ballad is the perfect companion to “Butterfly Effect” as it compounds on the theme of projection — in this case, with regard to the ways old relationship habits pass through generations.

“It’s about the way we try to evolve from the generations before us in relationships and parenthood, oftentimes overcorrecting and learning brand new lessons in the process,” McFarland said. “To me, it’s an extension of “Butterfly Effect,” highlighting the shadow work and self-reflection that follows.”

There you go: two songs, where you were only expecting one. What a treat!

With ‘Aurora,’ ARREIS Empowers Every Princess to Save Herself

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As we get set for the arrival of ARREIS‘ forthcoming EP, Angel — and the dynamic and exciting release show that will serve as its precursor on Wednesday, June 17 at Nashville’s The East Room — let’s treat ourselves to a preview with the Chicago native’s latest single.

“Aurora” was released on May 29, and is a cinematic rock anthem about a woman finding her own independence through heartbreak, and in spite the societal structures that often discourage such autonomous growth. Named after the princess featured in the Disney classic, Sleeping Beauty, the song features an awakened heroine who has dusted herself off and picked her own tiara up off the ground.

“A song written about feeling abandoned by a boy has turned into an anthem for women to reject the systemic teachings that have been forced upon us for generations,” ARREIS said in an Instagram post prior to release. “It’s not about not needing a man— it’s about delivering ourselves from the ones who wish us harm. My wish is for every woman to live comfortably and freely in whatever life she chooses.”

“Aurora” is one of the many songs featured on Angel that have been re-imagined from ARREIS’ 2020 debut album, Blindside. You’ll hear more when it’s released on Friday, June 26 (and you’ll have a chance to snag it earlier, if you buy your ticket to the East Room show).

While you wait, get to know “Aurora” below!

On ‘What We Can’t Say,’ Ty Warner Observes a Love Disconnected

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Our friend and fellow UnderDog Ty Warner has been on a hot streak so far in 2026. It wasn’t too long ago that we told you about “Connor’s Crawl,” the instrumental, jazz-influenced single released in honor of Warner’s precocious young grandson, Connor.

This time, the Air Force veteran-turned-full-time musician adds his voice back into the mix with “What We Can’t Say,” a mid-tempo Americana ballad which explores the ways our minds can interfere with love.

“Romance is an illogical concept,” Warner said in a video posted to social media. “It’s not like balancing a checkbook or knowing when your car payment is due. It’s based on emotion.”

The story of “What We Can’t Say” positions Warner as an observer of two lovers struggling to work through communication issues and find common ground through the love they share. The tune’s beautifully layered Americana soundscape — produced by Jim Thacker of Kazen Music Group — adds a wistful tone to support the narrative. A listener might imagine “What We Can’t Say” weaving into the post-breakup montage of an indie film, as two individuals pause, reflect, and realize that they’re stronger as a pair.

“What We Can’t Say” features Warner on lead vocals and acoustic guitar, with Thacker performing electric and bass guitar duties. Asha Sun provided backing vocals, and GRAMMY-winner Robin Ruddy added a classic country touch with her work on the dobro. Elements of the single were tracked both in Nashville by Scott Griffin, as well as by Vante Anderson at Wyoming Wave Studios in Cheyenne, WY.

As for the artwork? The tradition of artwork designed by the Warner grandchildren continues, as the cover art for “What We Can’t Say” was designed by Warner’s granddaughter, Nora Jo.

Who will be the first to say, “I love you?”

Ty Warner’s ‘Connor’s Crawl’ Instrumental a Family Affair

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Ty Warner — songwriter, multi-instrumentalist, Air Force veteran, and one of our most loyal UnderDogs — is in the flow of releasing music, with several singles and a full EP on tap for 2026.

Warner’s first offering of the year, “Connor’s Crawl,” was released on March 24. The tune marks previously uncharted territory for Warner, as it is the first song he’s released that is entirely instrumental.

“I find instrumental music in general to be incredibly inspiring and emotional in and of itself,” Warner told the Wyoming Tribune Eagle (Cheyenne, WY). “That’s the journey I’m on right now … I’m going to move towards (releasing) instrumentals.”

Inspired by the jazz artist Earl Klugh, Warner composed and recorded “Connor’s Crawl” on two nylon string guitars. Additional instrumentation was added by esteemed New York-based producer Bryan Crook, who mixed and mastered the track after it was recorded by Vante Anderson at Wyoming Wave Studios. The song does feature some vocal instrumentation, as well, with background vocals performed by Asha Sun.

As for the inspiration behind the name? Warner named “Connor’s Crawl” after his precocious young grandson, Connor, who also created the artwork for the release.

Those looking for more new music won’t have to wait long. This week, Warner announced a follow-up single titled “What We Can’t Say,” set for release on Tuesday, May 19. From there, more singles are coming down the pipeline in the lead-up to My Songbook — Volume 1, set for release later this summer.

LISTEN: Billy Bauer Returns with “Queen of Her Town”

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For the first time since before the pandemic, a new, original studio release has emerged from the world of Billy Bauer Band.

This time, it’s the band’s namesake himself with a solo effort. Billy Bauer released the raw, acoustic cut, “Queen of Her Town,” on March 31. Produced by fellow artist and dear friend Bobby Siegfried of Chasing Daylight Productions, the tune was written more than a decade ago, on the road back to the band’s hometown of Bethlehem, PA from a gig in Milwaukee, WI.

“Queen of Her Town” features a tender vocal and the warm tones of Billy’s Martin Guitar, as he sings of a small-town girl with big dreams. One particularly exciting moment happens around four-and-a-half minutes in, when the last chorus gives way to a rollicking outro, showcasing Bauer’s signature scat vocals.

“After rehearsal, everyone cleared out—except me and former bassist Steve Zalalas,” Bauer noted. “What started as a jam became a one-take live recording, raw and mostly untouched. It was too special not to share.”

The song is available on all major streaming platforms — but that’s not the only way you can get it. The band has made “Queen of Her Town” available for downloadable purchase on Bandcamp for just $1, giving you an easy way to show your support.

Be sure to stay tuned, because we have it on good authority that there’s more where this came from. In the meantime, go ahead and meet the “Queen of Her Town.”

With ‘Breathe,’ Intellect Finds Calm in the Chaos

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When the odds are against us and the walls are closing in, we must look within to find peace.

Intellect offers us a respite from the overstimulation of modern society with “Breathe,” a tense and unyielding new single that serves as “a declaration of space, voice, and release—one breath at a time.”

“Built on dense lyricism and relentless delivery, ‘Breathe’ blends spiritual imagery with street realism, exploring themes of survival, authorship, and inner conflict,” the DC-based hip hop artist states. “The repeated plea — ‘Just let me breathe’ — anchors the video as both a mantra and a warning.”

“Breathe” is accompanied by visuals directed and produced by Annaken Media, which illustrate calm in the chaos by portraying Intellect as he remains steadfast in an environment that is visually glitching around him. Intellect’s performance in the video is focused and direct — representative of the tunnel vision required to stay on the one’s true path in a world full of distractions.

“Breathe” will be included on Declaration of Independence Vol. 3, a robust compilation album featuring Intellect alongside a host of other others. Watch the video below!

LISTEN: Yonna Jones Plays ‘Cat & Mouse’

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Valentine’s Day is coming up. And what would Valentine’s Day be without turning up the HEAT?

Our fellow UnderDog Yonna Jones is back with some sounds of the season, having dropped “Cat & Mouse” this past Friday, January 30. The new single — here to “get the girls warmed up for Valentine’s Day” — sees Jones lean into her R&B side, as she delivers a smooth and lightning-quick melody as exhilarating as the chase itself.

“Cat & Mouse” is Yonna’s first new release of 2026, with a full album on its way to us shortly. The track was engineered by W3BZ and produced by LacTrax here in Nashville, with artwork from (another fellow UnderDog) Nicolas Soul. Try it out below!

Hey You! Check Out The Band Palm’s Debut Single

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Any time music makes its way to us from the Jersey Shore, we can’t help but stand up and pay attention. There’s something so timeless and exciting about the unbridled energy of the region, and many of its acts have the talent to match our enthusiasm.

With that, we found a submission from Asbury Park’s The Band Palm in our backlog. After having a couple listens, it appears that our faith has been rewarded yet again!

The band’s debut single, “Doves (Hey You),” was released last July. Born from a spiritual awakening, the punchy alt-rock anthem reflects a moment of clarity shared by bandmates Brooke Riso (vocals/rhythm guitar) and Shayna Bay (bass/vocals) — and is credited by Bay as “the catalyst that allowed The Band Palm to come to life.”

“Brooke and I had a shared experience in which we felt under spiritual attack. We were confused, scared, and our only way to understand what was happening was to channel our feelings into music,” Bay recalls. “We rushed home and instantly got to work. The verse progression was one that Brooke had in her ‘unfinished/writers block’ collection. She knew right away to bring this progression to the forefront, but expressed to me that she was unable to continue it. Upon hearing, with inspiration in my mind, I instantly got pulled into the zone. I wrote the chorus progression almost instantly and, from there, The Band Palm was born.”

The duo then recruited lead guitarist Mike Ortlieb and drummer Matt Veiga to round out their lineup, which they’ve already begun taking on the road in advance of their forthcoming second single. The band performs across the tri-state area regularly, with a special date coming up at Musikfest — you know, that Bethlehem, PA-based festival that is at least indirectly responsible for UMC’s very existence — in early August.

There’s plenty of excitement to come. For now, immerse yourself in “Doves (Hey You)” by The Band Palm!

On ‘I’ve Done Wrong,’ Stefan Heuer Owns His Part

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There is great humility (and opportunity for personal growth) in the realization that you’ve messed up.

Stefan Heuer investigates his side of the conflict on “I’ve Done Wrong,” a slick, gorgeous piece of modern pop featuring a verse from UMC UnderDog Foundation Mecca.

Produced by Fabian Balz and Porter Hall, “I’ve Done Wrong” is a contrite mid-tempo tune which calls to mind the sleepless nights we’ve all spent, ruminating on things unsaid and the ways we’ve fallen short. Heuer — with an assist from the Heal Hop architect — provides us all with an opportunity to reflect, while acknowledging that accountability, self-reflection, and forgiveness are all necessary stops on the road to reconciliation.

At press time, “I’ve Done Wrong” has already accumulated nearly 10,000 total in just four days after its release. Once you listen, we have a feeling you’ll want to run those numbers up even more!

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