Tag Archives: single review

LISTEN: On ‘NNYC,’ Haley Ganis Finds Her Way Through the Big Apple Post-Breakup

So many times in my life, I have sat on a New York City subway, off to a show or a restaurant. I’ve often sat back and wondered what it would be like to have a lived experience in New York, with all the love, joy, and heartbreak.

Haley Ganis is an artist who has lived and performed in New York City, and has experienced the city’s culture. Her single, “NNYC,” is the perfect kind of tasteful pop song that only someone who had a life in New York could write.

“Don’t wanna take the 6 train home
Window reflections swear I see your ghost
I can’t avoid our inside jokes
Eight million people and I’m still alone.”

With those lyrics, Ganis perfectly sets the tone, illustrating all of those routines you develop with another person — the car and train rides, always going to the same destinations. In an instant, these memories can be tainted by a breakup. You can hear that pain in Ganis’ vocals, over the backdrop of synths and a strummed guitar before the band comes in. 

On the song, Ganis says “The day I wrote this, I was really missing New York City, but was also reminded of a major breakup I went through while living there. During the writing process, I loved sorting through my feelings and having New York as the backdrop of it all. My co-writer and producer, Dylan Maloney, helped finish the song with me, and I hope listeners enjoy what we did.”

Music this good doesn’t just happen. Ganis is a skilled songwriter, and has such musical capacity that you can hear the years of work she has spent on her craft. This might best be exemplified when the song is just her and a piano, which I will let the listener experience for themselves. 

“‘Cause you got to keep the good things
East side, Goodnight Sonny
Apartment and the grocery store
But New York isn’t yours.”

(Perhaps, in another timeline, I too am walking around New York City post-breakup, dodging bright city lights while walking past bodegas, trying to find a path to my new home in a new side of town…)

Haley Ganis wrote a stellar piece of music with “NNYC,” and I will be playing it on repeat. The tune is a part of a number of singles she will release before dropping her album in October. Keep an eye out for it!

WATCH: Brother Dusty Makes Us Go ‘whoa’

Last Wednesday — following our inaugural UnderDogs Across Borders livestream benefit concert — our friend and fellow UnderDog Brother Dusty held a special event in Nashville at The Underdog, in celebration of his birthday *and* the release of the music video for his new single, “whoa.” (Clips of the event have begun surfacing, in case you want to check ’em out.)

We can definitely understand why Dusty threw a party of such magnitude. This one is worth celebrating!

Produced in conjunction with Ensworth Guitars and directed by Anastasia Elliot and Josh Saltzman, “whoa” is a thrill ride that breaks the rules and bends the genres as only Brother Dusty can. The video was filmed on location at popular Nashville music venue The Underdog and the Garden Family Warehouse, and is as dynamic and explosive as the hard-hitting single for which it was created.

Brother Dusty is just getting warmed up. Make sure you keep an eye on his socials for updates, and watch the video below. It’s sure to make you go… “WHOA.”

Bailey Cole Doesn’t Want Fear to Hold You Back ‘Anymore’

There are moments in life that call for us to push past our fears and limitations.

For these moments, we have “Anymore” — the smoldering new cinematic pop single from Bailey Cole. The contemplative new tune — described by Cole as “a declaration of self-worth and a reminder that growth means letting go of the fear that used to define you” — features Cole’s smoky vocals calling to us over a thoughtfully layered, atmospheric soundscape. The lyrics float through the ether with a palpable tension, not unlike the inner conflict that arises in us all before a major breakthrough.

“’Anymore’ is a personal reckoning—a song about the moment you realize you’re finally getting somewhere in life, and that quiet fear creeps in,” Cole said. “What if I lose it all again? It’s about refusing to let the past steal joy from your present.”

“Anymore” was produced by Adam Clark, mixed by Grammy-winner Mikaelin “Blue” Bluespruce (Solange, Nas), and mastered by Idania Valencia at Sterling Sound. It is the latest installment of Chapter 1, a series of singles that is set for a full project re-release later this year. Listen to it below, as you sttep away from your fears and into your power!

LISTEN: With ‘cross that line,’ Brooke Martin Addresses the Elephant in the Room

What do we do when love begins to fade?

Brooke Martin confronts that question on “cross that line,” a groovy, upbeat new tune with melancholy undertones. Produced by GRAMMY-winning producer Chris Penny, the single’s shimmering pop soundscape juxtaposes adeptly with the sobering reality of a spark between two people that now struggles to ignite.

“To me, “cross that line is such a fun, upbeat song—but the lyrics are quite sad when you really listen,” Martin said. “It’s about two people who love each other but are starting to realize they might not be right for each other anymore. There’s still hope—they’re trying to find their way back to the happiness they once had.”

“cross that line” was the first song written for Martin’s forthcoming EP, which is expected to drop later this September.

For now… go on. Cross that line. But once you do, there’s no turning back…

Not Sure Where to Go Next? Listen to This Song from Jon Worthy

Nashville-based indie alt rock artist Jon Worthy has given all he has to music. He’s toured across the nation, consistently released music, and has been featured in 150 popular media outlets. He’s even been to the Lehigh Valley’s very own Musikfest in Bethlehem, where I’m from! To many aspiring artists, he has certainly made a successful music career.

After the pandemic, his music career went in a different direction. He began focusing on studio sessions, songwriting, and production, while answering the COVID-era question on every creative’s mind…

“Where do I go from here?”

Jon’s new tune, “I’ve Been Up, I’ve Been Down,” reminds you that you aren’t alone if you don’t know where to go. The dreamy, wayward tune details how his own journey changed direction, leaving him feeling like he didn’t know what to do next.

“It’s about living day by day, and just trying to enjoy life as it came to me,” he said. “It speaks to all the highs and lows of life, but being complacent and, at the same time, hoping something will really change for the better.”

I am most fascinated by the fact that Jon found healing in music, even as his path in the industry became uncertain. It’s almost like entering down the path of being lost is inevitable in order to find where to go next. It’s also inevitable for artists to create, because its apart of who we are. Expressing the confusion of feeling lost allows us to find our way. This is inspiring to me as an up-and-coming artist, and helps tame the questions and doubts in my own mind. It’s a reminder that it’s OK to not have it all figured out, all the time — just keep going and letting the music take you.

Stay on the lookout for Jon Worthy’s next collaborations, to be released in coming months. And remember: even if you don’t know where to go, have the hope one day you’ll make it

-Matt Schmoyer

LISTEN: Evan Kreutz Releases Spontaneous Summer Love Song, ‘last call’

Summer is the time to lose track of time, forget your inhibitions, and fall in love.

Evan Kreutz captured the celestial spontaneity of discovering a new connection with his latest single, “last call.” What begins as a slow burning, acoustic rock daydream progresses with intensity toward alt-pop hyperspace, providing us with a proper interpretation of what it’s like to lose yourself in the excitement of exploring someone new.

“A breezy, feel-good ride built on impulse and connection, ‘last call’ is the sonic equivalent of taking the long way home with someone who makes you forget your worries,” Kreutz said. “It’s less about thinking and more about feeling—spontaneous, sweet, and exactly what you needed.”

“last call” was produced by Kreutz’s Young and Eager Entertainment co-founder Douglas Grama, and is the latest genre-bending stop on the road toward Kreutz’s forthcoming EP and deluxe album. Make sure you give Evan a follow to stay up to date on the latest!

LISTEN: Katie Mal Gets Us ‘Caught Up’ in Our Feelings

Have you ever experienced a heartbreak so real, that even the smallest reminder prevents you from moving on?

Katie Mal crafted her new single, “Caught Up,” 3-4 years ago, as she was trying her hardest to recover from her first “real, hard breakup.” The raw honesty of the lyrics, paired well with a steady-driving garage rock soundscape, give us all the room we need to process our own pain — even if we’re the ones choosing to hold on to the memories.

“’Caught Up’ came from a really personal place—those moments when even the smallest things, like rain on a window or a box of their stuff, can keep you from moving on,” Katie said. “It was one of those times where writing helped me process what I was feeling.”

The Toronto-based songwriter started with the lyrics, later refining the melody and guitar parts to develop the finished product we’re enjoying today.

“I really wanted to release this song, because I love how the final product turned out,” she said. “It feels raw and real, and I hope people can connect with it.”

LISTEN: On ‘Drown in the Desert,’ Mary Jennings Helps Us Weather the Storm

Following life’s storms, we all have a choice: let go of the pain and find oneself, or stay stuck where we are.

Mary Jennings explores this theme of resilience — even through catastrophe — on her latest single, “Drown in the Desert.”

Building on the socio-political themes of Jennings’ previous single, “Take A Number,” “Drown in the Desert” was inspired by Jennings’ experiences at Burning Man in 2023, which became infamous for the rare, torrential desert rain that caused mass evacuations and many stranded individuals at the festival. The single begins with a calm, ethereal electropop sensibility — meant to mirror the desert landscape’s typical tranquility — before tension builds and washes down on us. Jennings found the desert storm to be an apt metaphor for life’s more challenging moments, when we find ourselves overwhelmed by emotions, circumstances, or both.

“Drown in the Desert” was co-produced by Ryan Youmans, and is the second single from Jennings’ forthcoming EP, set to arrive this summer. Immerse yourself in this one below!

LISTEN: With ‘Spooky Girl,’ Lips Speak Louder Blasts Off Into 2025

It’s hard to imagine a band getting the year off to a hotter start than Lips Speak Louder just did with their newest single.

The turbo-charged “Spooky Girl” enters the equation with loud, fuzzy guitar riffs and aggressive drums, combining the grit of 90s grunge with the thrilling, rhythm-oriented bombast one might expect from a Queens of the Stone Age record.

“‘Spooky Girl’ is a song about walking the line between carnal fascination and hedonism,” notes vocalist/guitarist Rachel Brandsness. “The opening guitar riff, soaked in fuzz, dictated the direction of the song, which paved the path for the aggressive drums and created the perfect tonal landscape for the lyrics.”

Produced by acclaimed guitarist and songwriter Emily Wolfe, “Spooky Girl” is another offering from the band’s forthcoming album, to be released later this year.

“When we pictured the backdrop of ‘Spooky Girl,’ we envisioned the chase, or cat-and-mouse situation in a dark club with lots of stimulation, sexiness, and eagerness,” drummer Angie Lese adds. “We wanted the music to mimic that driving force, so by design, the song goes hard and doesn’t let up.”

LISTEN: After Love and Loss, Amanda Keeley Finds ‘Better Days’

Acceptance is a vital part of moving on at the end of a relationship. That means coming to terms with everything that relationship was or wasn’t, and everything that it did — or did not — have the potential to be.

Amanda Keeley hits us with that realization with her new single, “Better Days.” The resilient tune paints expired love through an objective lens — an important part of the recovery process.

“The words came to me at a time where I needed help processing the loss and letting go of a longtime relationship,” Keeley said. “I’m grateful for this song finding its way through me as it helped immensely with closure and moving forward from a place of love.”

Keeley’s smoky vocals call to mind the soulful delivery of contemporaries like Sara Bareilles and Brandi Carlile, while the spellbinding, rhythmic folk-rock instrumental of “Better Days” conjures shades of Fleetwood Mac. The song’s steadfast tempo marches us along, akin to the days and weeks which provide clarity following a breakup.

“As a songwriter, I interpret many life experiences through songs. In this case, I found myself with certain lines floating through my mind like, ‘thought we were more than this, let us go, let it die, all the flowers have dried and just dust in the wind,'” Keeley said. “It really felt like the perfect way to clearly communicate how I was feeling. The grief I was experiencing was pretty intense; the ‘flowers’ felt like a representation of the need for a funeral of sorts to really grieve this loss, and once the flowers ‘dried and just dust in the wind,’ this was me coming to terms with it being over and letting go.”

“Better Days” is part of Keeley’s forthcoming album, which will dive further into the topics of loving, losing, and learning to love again.

“(The album) will be a compilation of songs telling stories of love; finding ourselves, our place in this world, and the one’s we’re meant to be with,” Keeley said. Also, stories of loss; heartbreak, letting go, and finally healing.”

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