Category Archives: The Quinn Spinn

Diary of a Road Warrior (ft. Hobo Houston)

Hobo Houston is a punk rocker, Americana troubadour, and a dedicated performer who builds meaningful connections with audiences across the globe. With his band, Houston & the Dirty Rats, Houston has performed more than 1,000 times, including a run of 100+ shows in 100 days before the COVID-19 pandemic.

Houston joined us before the holidays to chat about the journey so far, and provided a look at what’s to come in the future — including his debut book?!

The Quinn Spinn is recorded and produced at Helping Our Music Evolve, Nashville, TN.

Opening theme: REVEL 9 – All I’ve Become

Follow Houston: https://instagram.com/hobohouston

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Celebrating 6 Years of Jake’s Take! (w/ Jacob Elyachar)

Jacob Elyachar is the host of the Jake’s Take podcast, and the editor-in-chief of entertainment website jakes-take.com. Jacob recently launched Season 6 of the podcast — which has welcomed stars from across the entertainment industry — and recently surpassed 350 episodes.

We chatted with Jacob before the holidays to preview the then-upcoming Season 6. Learn about Jacob’s journey, and his plans for the road ahead!

This episode of The Quinn Spinn was recorded and produced at Helping Our Music Evolve, Nashville, TN.

Visit jakes-take.com for your entertainment industry news!

Opening theme: REVEL 9 – All I’ve Become

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#RoadtoSXSW: My ‘WrestleMania Moment’

Before the #RoadtoSXSW became but a glimmer in my eye — in fact, before Underground Music Collective or The Quinn Spinn even existed — I was a kid who cycled through dreams. I was looking for purpose and meaning, and ways to impact a large number of people. I always envisioned myself as a leader, even if I had no idea what leadership actually meant.

Throughout my youth and adolescence, I wanted to live a thousand lives. At different points, I aspired to be an all-star right fielder, a star quarterback and team captain, a lead actor, and a famous singer with the dance moves and calm, confident swagger of Jordan Knight. (OK… I still haven’t given up the ghost on that one, my 38-year-old ex-football player knees be damned.)

Right around age 12, I added “professional wrestler” to the list.

The year was 1999. WWE’s (then-WWF) Attitude Era was in full swing, and “Stone Cold” Steve Austin was at the top of the mountain. One day, the kids in my class were talking excitedly about the latest episode of Monday Night Raw, and I decided to check it out for myself.

I was instantly hooked. Finally, there was an outlet for my pre-teen suburban angst, courtesy of these larger-than-life characters and their over-the-top antics. For the next several years, I’d tune into every piece of WWE programming I could get my hands on. Raw, Smackdown, and even Sunday Night Heat were appointment viewing. Wrestling theme music became a regular part of my library (and still is to this day). Sometimes, I would convince my mom to let me order the Pay Per View events (and a couple times, I just did it myself and asked forgiveness later. Sorry, Mom!).

Eventually, I dove into the art form myself — first by participating in online-only “e-feds,” an internet-based role-playing game where we would write message board “promos” against our opponent, with victory awarded to the writer who created the most compelling argument before each match. Then, my brother and I started our own backyard wrestling federation — the infamous Long Valley Backyard Wrestling (LVBW). Blatantly ignoring WWE’s “Don’t Try This at Home” warnings, we laced up and competed in a crudely made ring with no mat in our parents’ backyard. Eventually, we met other aspiring wrestlers from around the Northeast, and traveled regionally to compete in various strangers’ backyards (who, admittedly, had built much safer rings) throughout high school.

By senior year, my interest in pursuing this career path had given way to a renewed focus on football. Nonetheless, my passion for and enjoyment of this unique, sometimes-bizarre form of entertainment has never waned. I’ve followed the action through the years and, as social media has broken down the walls of “kayfabe,” have come to root for my favorite wrestlers on- and off-screen.

The biggest date on the pro wrestling calendar is WrestleMania. If you’re a professional wrestler — or serve any function in the industry — it’s where you fight your entire career to be. It’s the reason why you put all those hours in; you’ll drive hours to wrestle in bingo halls and high school gyms for little-to-no pay, because every rep is building toward something greater. It’s building toward the moment where the eyes of the industry begin to look your way. It’s building toward the moment when you sign your first contract and have your first match with a major promotion. It’s building toward the possibility that, one day, you might get to have your own “WrestleMania Moment” — a featured spot on the Grandest Stage of Them All, where you reach the pinnacle by creating a memory that will live on through history.

Not everyone gets their “WrestleMania Moment.” In fact, most professional wrestlers don’t. That’s what makes it so special; it means that you’ve put in your 10,000 hours, have sacrificed greatly, and continue to persevere through the challenges that greet us all on our way to our visions turning into reality.

When you have that moment — one that can take years or even decades to reach — it is something to be cherished. If one thing along the journey had gone differently, you may have never gotten here. Now that you’re here, you may never get here again. All you have is now. Make the most of it.

I’ve been thinking a lot about major milestones, as the #RoadtoSXSW takes its turn into the home stretch. And, while I may not be competing for the WWE Championship in Las Vegas this April, I can appreciate what it means to travel a long, challenging road, to eventually stand before the biggest opportunity of my life.

I’m heading to Austin for my first SXSW this Friday. As a music industry thought leader, this is my first ‘WrestleMania Moment.’ This is my Super Bowl, World Series, and Stanley Cup Finals. It’s taken a long time and plenty of lessons — at least 60+, if you’re curious — to get here. There have been countless late nights and early mornings. There have been loads of triumphs, and my fair share of disasters. There have been glimmers of hope scattered through the past 11 1/2 years, and perhaps just as many moments of doubt and stress.

This is where I’ve fought my entire career to be — since the moment of singularity when this was all just a USB mic, a laptop, and an idea in my childhood bedroom, one August night in 2013.

Through it all, there has been faith. I’ve always held the belief that, if I just stay on the road a little bit longer, I’ll graduate from the “bingo halls” and “high school gyms” of my chosen industry, and have the opportunity to build this platform into one that transforms the music industry and the creative ecosystem at-large. That faith has been rewarded so many times along this journey — especially over the past couple of years — as our platform has been blessed with incredible opportunities in media and at conferences, festivals, notable venues, and more.

We’ve already made it to the big leagues. Figuratively speaking, we’ve been on Raw, Smackdown, and plenty of Pay Per Views — but this is the biggest one yet.

This is WrestleMania as I know it.

The lights are on. My music is playing. All that’s left is to walk down that 800-mile ramp to Austin, get in the ring, and create moments that live on, long after the bell rings.

Chelsey Stallings: Finding the Courage to be Vulnerable

Chelsey Stallings is a songwriter and performer who is shattering industry conventions. Her ability to communicate with vulnerability (both in her music, and interviews like this one) helps her connect with fans, collaborators, and anyone who has had to break past limiting beliefs.

Chelsey shares her story — and the info on her recent single, “Give Him the Reins” — on this week’s episode of The Quinn Spinn.

This episode of The Quinn Spinn was recorded and produced at Helping Our Music Evolve, Nashville, TN.

Follow Chelsey on Instagram: https://www.instagram.com/chelseystallings/

Opening theme: REVEL 9 – All I’ve Become

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ARTISTS: Fund Your Music Without a Major Label

For independent artists, funding is often one of the biggest challenges encountered along the creative journey. Having the resources to invest in your creative platform is absolutely necessary, but many artists don’t know where to begin.

That’s where beatBread comes in. This innovative platform gives independent artists access to responsible, sustainable advances — without the need to sign a major label deal. Matthew Tilley — beatBread’s Head of Artist and Industry Development — shines a light on this company’s forward-thinking, artist-first mission.

This episode of The Quinn Spinn was recorded and produced at Helping Our Music Evolve, Nashville, TN.

Learn more about beatBread: https://beatbread.com

Opening theme: REVEL 9 – All I’ve Become

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Brittany Bishop: Cat Talk! (Oh, and Music Too…)

Don’t let the title fool you: we do way more than gush about our cats with our special guest, Nashville-based country artist Brittany Bishop.

But, now that we have your attention, we invite you to dive into this conversation, where Brittany opens up about her creative process and the importance of keeping it real, as she puts the finishing touches on her debut full-length record, coming in 2025!

This episode of The Quinn Spinn was recorded and produced at Helping Our Music Evolve, Nashville, TN.

Follow Brittany: https://www.instagram.com/brittanylanebishop/

Opening theme: REVEL 9 – All I’ve Become

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David Tucker: An Artist’s Story of Resilience

David Tucker’s new self-titled EP is a reflection on the road he’s traveled not only as an independent artist, but as a human being. The rising pop-country artist is no stranger to overcoming adversity, having battled an autoimmune disorder and surviving a near-fatal car wreck on his way to a place of gratitude, connection, and creative fulfillment.

David shares his courageous story with us on this week’s episode of The Quinn Spinn.

Follow David’s journey: https://linktr.ee/davidtucker

This episode of The Quinn Spinn was recorded and produced at Helping Our Music Evolve, Nashville, TN.

Opening theme: REVEL 9 – All I’ve Become

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All Poets and Heroes: Using Authenticity to Win the ‘Battle’

Alt-rockers All Poets & Heroes outlasted stiff competition to be crowned Nashville’s Battle of the Bands winners. The competition — hosted by our good friend ARREIS and Chicago-based music platform Local Nation — helped some of Nashville’s top emerging artists showcase their talent, while building a stronger community among the independent music industry.

Today, we chat with All Poets & Heroes about the win, their journey as a band, and what we can expect going forward.

This episode of The Quinn Spinn was recorded and produced at Helping Our Music Evolve, Nashville, TN.

Opening theme: REVEL 9 – All I’ve Become

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Choosing to Live Completely (ft. Jenna Vivacora)

Jenna Vivacora attended the U.S. Naval Academy for college… until a medical disqualification (and the ensuing challenges) led her to music. Creativity helped Jenna find direction after this abrupt, fundamental life change — and it has helped inform her perspective about what it means to fully experience life.

Learn more about Jenna’s journey — and how its different components have informed her perspective.

This episode of The Quinn Spinn was recorded and produced at Helping Our Music Evolve, Nashville, TN.

Opening theme: REVEL 9 – All I’ve Become

Follow Jenna on Instagram: ⁠https://instagram.com/jennavivacora⁠

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10 Minutes of Raw Gratitude

We are at the end of a truly incredible summer — one that saw our Underground Music Collective movement connect with thousands of new people, and venture to places we had never been before.

Before we forge ahead, let’s pause, reflect, and say “thank you.”

This episode of The Quinn Spinn was recorded and produced at Helping Our Music Evolve, Nashville, TN.

Opening theme: REVEL 9 – All I’ve Become

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