Category Archives: opinion

Are We Doomed? Or Have We Yet to Access Our Own Power?

For all of the talk about AI’s industry takeover, and the ways “the algorithm” unfairly stacks the deck against artists, maybe it’s time to ask ourselves a different question…

What if, instead of catering to the algorithm — the latest in a long line of industry gatekeepers outlined in the video I’m about to share below — we focus on the power we have as a community to build authentic relationships with fans, fellow creatives, and our entrepreneurs across industries?

What if, instead of claiming victimhood in an unfair ecosystem (and often, offering no real solution alongside our complaints), we empower ourselves to create a new one?

What if, instead of begging for a seat at “the big table,” we build our own table?

Yes, there are plenty of problems with the ways creatives are regarded and compensated in the business world. That’s because the business world in which we currently reside was not created by us.

When creatives function like entrepreneurs, the power resides in our hands. When we build brands, communities, and new ways of doing business, we find common ground not only with other creatives who have felt our pain, but with consumers who are looking for something that speaks to them more readily than what’s pumped out through “the machine.”

When we treat the tools at our disposal (AI, streaming, social media, etc.) like supplemental tools to create and maintain connections — instead of be-all, end-all solutions that are “supposed to” bring us to virality, fame, and fortune (i.e.; do all the work for us) — we can better manage our expectations, and focus on the real-world actions and relationships that will help us grow our communities and build a more sustainable ecosystem over time.

Instead of relying on the algorithm to make you visible, take it upon yourself to get in front of people. Instead of expecting Spotify and other DSPs to change their tune about royalty payouts and AI-created music, encourage and incentivize your audience to purchase directly from you. Develop ways to make them feel like they’re not just spending money, but investing in a vision for a greater world.

Provide value, and do business while consistently providing that value.

“Business” is not a dirty word. Learning how to do it properly — in a way that provides and increases value for all stakeholders over time — is the key to finally leveling this playing field.

I’ve presented at and attended some of the biggest music conferences in the world throughout 2025, and have had conversations with thought leaders across the creative space. I assure you that, in all corners, we are asking similar questions: how do we give creators the power?

We already have it. It’s time to accept it, wield it responsibly, and remain consistent over time. It’s time to test, measure, adjust, and develop better, creator-centric solutions. I’ll never tell you it’s easy: the creative journey is a long game, and overnight success is fleeting at best, and non-existent in reality.

Would you rather it be easy or impactful?

It’s not about fighting City Hall. It’s about building new cities.

With that, I came across this TED Talk featuring Kickstarter co-founder Yancey Strickler, who offers a solution as to how we can structure our businesses in a creator-friendly manner. It’s already inspiring plenty of ideas for me, and I hope it does the same for you.

Have a great weekend. And, if my rant inspired you to continue this conversation, you know where to find me.

-G

WATCH: T.R.A.N.E. Spitta Shines on the Sacrifical Conversations Podcast

Revolutionary artist T.R.A.N.E. Spitta is one of five performers slated to join us at Helping Our Music Evolve on Tuesday, September 16 for UnderDogs Across Borders: Vol. 3.

The Nashville-based hip hop artist, performer, educator, and entrepreneur always has plenty to talk about, and he took to the Sacrificial Conversations podcast on 104.1 Tab Radio in Nashville to discuss art, its impact, and to highlight his upcoming UnderDogs Across Borders performance. T.R.A.N.E. also speaks about the ways our UnderDogs Across Borders campaign serves to connect creators regardless of genre, creative discipline, or location (that part begins around the 41-minute mark).

Check it out below, and be sure to subscribe to our YouTube channel to watch UnderDogs Across Borders: Vol. 3 from everywhere next Tuesday!

LISTEN: The Peterkin Project’s ‘Power of Life’ Offers a Touching Tribute

“Last summer, you inspired me to sing.”

John Peterkin pays homage to his late cousin on “Power of Life,” the latest single from The Peterkin Project.

“This heartfelt song was co-created with my late cousin Mark, who fought a brave battle against cancer and inspired me to pursue music,” Peterkin said on the band’s official Facebook page.

The steady rocking new single features a warm acoustic sensibility, which underscores some hopeful, U2-inspired licks from lead guitarist Shawn Andrew. Peterkin’s lyrics paint a picture of those who leave indelible imprints on our hearts and minds — even after they transition from this Earthly plane.

For more about “Power of Life” and all things The Peterkin Project, John is one of several guests who join us on The Quinn Spinn this coming Monday, September 15 as part of our series taped live at Gussapolooza 2025, which took place last month in Cookstown, Ontario, Canada. Be sure to tune in!

Unc Talk (ft. Da’ Healerz & The OG Fam)

The Quinn Spinn is BACK for Season 13, and we’re keeping the party going the same way we began: by podcasting in someone’s basement!

Be assured, however, that we’ve all grown in the decade-plus since Episode 1 hit the internet. For one thing, we’re all certified Uncs now. For another, all of that experience makes it easy for us to find ourselves in midseason, pants-removing, Stupid News-sharing, Love Island-and-Morgan-Wallen-bashing form!

In addition to all of that fun, we also welcome Da’ Healerz to our season premiere to talk about their Heal Talk EP, their forthcoming collaboration with Guidance Whiskey, and where you can catch a Heal Talk Experience near you.

Opening theme: REVEL 9 – All I’ve Become

Follow Da’ Healerz: instagram.com/dahealerz615
Follow The Quinn Spinn: instagram.com/quinnspinnofficial

ALBUM REVIEW: With ‘A Small Notion,’ High Tea Showcases a Knack for Big Hooks

Based in the beautiful state of Massachusetts, High Tea consists of Isabella DeHerdt and Issac Eliot. Combining thoughtful songwriting with world class musicianship, Isabella and Issac have gone above and beyond with their new album, A Small Notion. The album provides songs that are gentle, alongside selections that bring a noticeable rebellious punk energy filtered through folkier sensibilities. 

A Small Notion has emotional weight drawn from their personal experiences of loss and change, with stories created to guide the listener through the journey. Starting with the title track – a folk rock offering with pop hooks – we are led into “A Stray in Lee County,” which is a true bluesy romp rock song, complete with strings and excellent vocals. 

“Paper Mache” is lighter and sweet, showing a softer side of the band, while “Ouch, Oh Shit” highlights the band’s ability to write a big chorus. I loved the layers of vocals on “Bittersweet Evenings,” a song which also includes a feature from Corey Latiman. 

“Heartbreak Kid” and “The Metaphysical and Technicolor End” both highlight the band’s musicianship, while “Scuba Diving” – a full band version of High Tea’s 2023 single – fits the album well. 

With another big chorus on “There Goes My Old Soul” – and, truthfully, nearly every song on A Small Notion – High Tea solidifies its knack for writing a hook. Then, to close out the album with a bang, we have “Poor Wayfaring Stranger” (featuring Chris Freeman) and “Shadows and Shadows” (featuring Heather Maloney). 
A Small Notion is a polished album created by experienced musicians. High Tea has successfully blended folk music with rock and punk, and made an album unlike any I’ve heard before. When listening, it’s impossible not to be impressed with the band’s songwriting abilities. Each song has its own distinct hook and identity.

Let’s Take a Trip Back to Austin!

In March, I had the special opportunity to present a workshop — Building Authentic Connections as an Independent Artist — during SXSW in Austin, TX.

A recap is below, and the opportunity to send us *back* to Austin to present an all-new workshop in 2026 is right here!

Video shot by NewLeeMade.

Keeping Tabs: Electric Lemonade Releases ‘You’re Watching Me’

Electric Lemonade fascinates me. Based in Whitehorse, Yukon, Canada, the trio made of Sarah Murphy, Hannah Mazurek, and Rob Jones prove the fact you don’t need to be in large, oversaturated music markets like New York or L.A. to be worthy of coverage. Electric Lemonade proves that musicians who focus on their own communities and stories tend to be among the most authentic, interesting artists. 

From the very first drum beat, their song “You’re Watching Me” pulls you into this organic spacious jam which highlights the band’s excellent musicianship – while reminding us that rock is far from dead. Lyrically, “You’re Watching Me” is the story of the end of a relationship, and the decision to move forward through the pain, choose yourself, and embrace who you are.

“You’re watching me, I see you in the list of viewers
On my Instagram story, you know that I can see you.
I believe that mistakes lead us to places that we’re bound for.
Can you let me go? Can you let me go?”

Those are my favorite lyrics from this song, as they highlight an absolutely modern phenomenon of the online interactions and algorithms we share with people. Personally, I haven’t had the experience of breaking up with someone and have them still watch my Instagram stories. How awkward that must be… 

On the song, the band states: “We wrote this one in the studio when we were working on our upcoming EP. It started out with a version of the lyrics and some musical ideas we had floating around for a while. We came up with a rough version to play for our producer (Jordy Walker) and tweaked it a bunch, but really, the bulk of the song was written over one jam session.”

I hope to find myself walking the streets of Whitehorse one day. It’s an amazing city nestled in brilliant mountain wilderness, and judging from what I’ve heard from Electric Lemonade, I bet its music scene is mature. I imagine hiking around the area, getting some food, and then heading to a show. Hopefully, that would mean I would be lucky enough to catch Electric Lemonade play their music. For now, I’ll be listening on repeat moving forward.

LISTEN: Bri Aspen Delivers on ‘Wearing White’

Heartbreak, as painful as it is to experience, oftentimes allows us to evolve and grow into a newer, fuller version of ourselves. There are people among us in this world that experience heartbreak while also being gifted artists. These people can channel their heartbreak into something of substance for the rest of us to rely on when we are eventually met with our own heartbreak.

Bri Aspen is one of those gifted artists. 

“Wearing White” is a song where Aspen explores that heartbreak of watching the person you love be in love with someone else. This song is an impressive showcase of Aspen’s voice, which is accompanied by a piano and a string section. 

“Sometimes, you introduce your soulmate to someone else – and then stand beside them on their wedding day,” Aspen said.

That’s a feeling no one should have to go through, but oh my, if you do… at least you have “Wearing White” for emotional support. 

“I wrote this song with Alex Lomartire and Jaan Harrison Kohm — (it’s) our third project together, and just the beginning of what I know will be a great creative partnership. I came into the session with the line, “I’m standing by your side, but I’m not wearing white,” and within a few hours, the full story had unfolded. Once we shaped the narrative, built out the characters, and found the right words to bring it all together, we knew we had something special. Jaan took it from there and produced the track in a way that truly brought the emotion and storyline to life.”

She explains further, “I learned throughout this writing process that sometimes, love means setting aside your own emotions, so that those you care about can find the happiness they deserve—even if that journey doesn’t include you.”

I am now a fan of Bri Aspen, who’s got more music coming out this year, and who you can catch playing all around Nashville. You’ll be a fan, too, once you check out “Wearing White” below!

WATCH: Da’ Healerz Circle featuring… Da’ Healerz!

For the season finale of Da’ Healerz Circle, we decided to do something special: invite Da’ Healerz themselves to share about the depth of their individual healing journeys.

And so, I volunteered to put my interviewer hat on to sit down with each Lord Goldie and Foundation Mecca, as they shared the details of their individual upbringings, the evolution of their healing journeys, and the changing narrative of hip hop.

LISTEN: On ‘NNYC,’ Haley Ganis Finds Her Way Through the Big Apple Post-Breakup

So many times in my life, I have sat on a New York City subway, off to a show or a restaurant. I’ve often sat back and wondered what it would be like to have a lived experience in New York, with all the love, joy, and heartbreak.

Haley Ganis is an artist who has lived and performed in New York City, and has experienced the city’s culture. Her single, “NNYC,” is the perfect kind of tasteful pop song that only someone who had a life in New York could write.

“Don’t wanna take the 6 train home
Window reflections swear I see your ghost
I can’t avoid our inside jokes
Eight million people and I’m still alone.”

With those lyrics, Ganis perfectly sets the tone, illustrating all of those routines you develop with another person — the car and train rides, always going to the same destinations. In an instant, these memories can be tainted by a breakup. You can hear that pain in Ganis’ vocals, over the backdrop of synths and a strummed guitar before the band comes in. 

On the song, Ganis says “The day I wrote this, I was really missing New York City, but was also reminded of a major breakup I went through while living there. During the writing process, I loved sorting through my feelings and having New York as the backdrop of it all. My co-writer and producer, Dylan Maloney, helped finish the song with me, and I hope listeners enjoy what we did.”

Music this good doesn’t just happen. Ganis is a skilled songwriter, and has such musical capacity that you can hear the years of work she has spent on her craft. This might best be exemplified when the song is just her and a piano, which I will let the listener experience for themselves. 

“‘Cause you got to keep the good things
East side, Goodnight Sonny
Apartment and the grocery store
But New York isn’t yours.”

(Perhaps, in another timeline, I too am walking around New York City post-breakup, dodging bright city lights while walking past bodegas, trying to find a path to my new home in a new side of town…)

Haley Ganis wrote a stellar piece of music with “NNYC,” and I will be playing it on repeat. The tune is a part of a number of singles she will release before dropping her album in October. Keep an eye out for it!

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