But… what if we told you there is more to the story? (Around here, there always is!)
Before the conference officially gets underway, we’ll be at Cafe Istanbul (2372 St. Claude Ave., New Orleans) this Monday, October 27 as we preview this year’s NOLA MusiCon with a special UnderDogs Across Borders live event. Join us in-person or online beginning at 5 p.m. CT, as we present two rounds of our popular Have You Met…? interview series. Round 1 (5 p.m.) will feature some of our Nashville crew, while Round 2 (6 p.m.) will highlight creatives from the Big Easy and elsewhere!
You’ll want to stick around after that. Beginning at 7 p.m., we’ll remain at Cafe Istanbul to bring you an UnderDogs Across Borders interstate showcase, featuring live performances from an array of artists. We’ll be dropping that full lineup a bit later this week, so stay tuned!
An all-star ensemble of Nashville musicians will storm the famous Acme Feed & Seed this Saturday, October 11 for Sound & Color: A Tribute to Alabama Shakes. One of the organizers — Mandy Moon — joins us on The Quinn Spinn to discuss the journey of co-producing this first-of-its-kind event alongside friend and fellow musician Chelcie Jette.
Also, we manage to sneak a shoutout to Lowbar in East Nashville, whose Saturday night karaoke hosted by Brandon Jazz is always a good time. #FreeTito
We’re getting set to head down to New Orleans once again for this year’s NOLA MusiCon, taking place in the heart of the Big Easy Oct. 28-30.
What we’ve been dying to tell you is that there’s more to the story this year…
See, we got together with our friends from the conference, including partners Tunetrax and DAWn Audio, to plan something special. Now, we can officially announce that we’ve joined forces to create Crescent City Crossroads, this year’s official NOLA MusiCon after hours showcases!
What is Crescent City Crossroads? It’s two diverse nights of live music in New Orleans, featuring artists from all over the U.S. (with a healthy dose of NOLA artists on the bill, of course). We’ve spent the past couple of months working together to think of some of the most exciting artists we know, and put them all into a musical gumbo pot as flavorful and exciting as Cajun cuisine.
Dates, times, and lineups are below. Each one has its own ticket link, which you’ll see attached to the corresponding night. Advance tickets are $10, increasing to $15 day of show. The price remains at $10 for those with a NOLA MusiCon badge or Halloween costume (because it is #SpookySZN, after all).
Still need that conference badge? Get it here for 25% off using the coupon code UMC25 at checkout!
The Quinn and Pierce are back for Day 2 of Gussapolooza 2025 after an exciting Day 1! We sat down with more of the artists and supporters who make Ontario’s music scene special for some exclusive conversations about the festival, their creative platforms, and the landscape of art, music, and creativity in 2025.
Consider that an appetizer for what is coming this Friday night, as DJX seeks to answer the question: can sound heal?
DJX: The Public Experiment will take place this Friday, September 26 from 6-9 p.m. at Helping Our Music Evolve (615 Main St., Suite G1, Nashville). This live experience is part concert, part ritual, part science lab featuring Four artists, three rooms, and one goal: to test what happens when music, technology, and human energy lock into the same circuit.
From live rap and cyber-trap, to acoustic resonance and soulful R&B, each set becomes a pulse that shifts the crowd’s frequency. EMF pyramids anchor the space. WiFi interference is tracked and visualized. Audience resonance is measured at the door and again at the exit.
By the end, you’ll have proof of how sound changed your system. This isn’t just entertainment—it’s Frequency Training.
In August, we traveled all the way up to Cookstown, Ontario, Canada to once again take part in Gussapolooza, one of Canada’s premier independent music festivals. We took it upon ourselves to bring the ol’ 12-channel mixer and invite attendees to chat with us throughout the weekend — whether artist, industry supporter, volunteer, vendor, patron, or any combination thereof.
On Day 1, we sat down with singer-songwriter John Peterkin, punk rocker (and 2025 Gussapolooza Battle of the Bands winner) Feura, Jake and Mike from Bad Music Club, and LA-based genre-bending artist Edi Callier.
This month’s UnderDogs Across Borders concert is perhaps our most genre-diverse offering to date, featuring performances from across the musical spectrum and beyond.
Tonight and through October, your support of UnderDogs Across Borders helps us bring the UnderDogs to New Orleans for NOLA MusiCon 2025, taking place Oct. 28-30. More details about our plans are coming very soon!
Our September 16 lineup includes:
Impactful spoken word artist Jazzy the Uncontrolled Goddess
Previously, on The Quinn Spinn: Scotty Rock and L were about to head to the System of a Down and Korn concert at MetLife Stadium. Little did they know that the concert they’d attend would go down in history, thanks to the… um, antics of a gentleman in the front row of the upper deck!
We also share our thoughts on the current state of WWE, after the announcement that WrestleMania 43 will take place in Riyadh, Saudi Arabia.
In the middle of it all, we preview our forthcoming episode series recorded at Gussapolooza 2025. The Quinn and Pierce sit down with John Peterkin of Ontario-based band The Peterkin Project, whose new single, “Power of Life,” carries a touching tribute to a relative lost to cancer.
For all of the talk about AI’s industry takeover, and the ways “the algorithm” unfairly stacks the deck against artists, maybe it’s time to ask ourselves a different question…
What if, instead of catering to the algorithm — the latest in a long line of industry gatekeepers outlined in the video I’m about to share below — we focus on the power we have as a community to build authentic relationships with fans, fellow creatives, and our entrepreneurs across industries?
What if, instead of claiming victimhood in an unfair ecosystem (and often, offering no real solution alongside our complaints), we empower ourselves to create a new one?
What if, instead of begging for a seat at “the big table,” we build our own table?
Yes, there are plenty of problems with the ways creatives are regarded and compensated in the business world. That’s because the business world in which we currently reside was not created by us.
When creatives function like entrepreneurs, the power resides in our hands. When we build brands, communities, and new ways of doing business, we find common ground not only with other creatives who have felt our pain, but with consumers who are looking for something that speaks to them more readily than what’s pumped out through “the machine.”
When we treat the tools at our disposal (AI, streaming, social media, etc.) like supplemental tools to create and maintain connections — instead of be-all, end-all solutions that are “supposed to” bring us to virality, fame, and fortune (i.e.; do all the work for us) — we can better manage our expectations, and focus on the real-world actions and relationships that will help us grow our communities and build a more sustainable ecosystem over time.
Instead of relying on the algorithm to make you visible, take it upon yourself to get in front of people. Instead of expecting Spotify and other DSPs to change their tune about royalty payouts and AI-created music, encourage and incentivize your audience to purchase directly from you. Develop ways to make them feel like they’re not just spending money, but investing in a vision for a greater world.
Provide value, and do business while consistently providing that value.
“Business” is not a dirty word. Learning how to do it properly — in a way that provides and increases value for all stakeholders over time — is the key to finally leveling this playing field.
I’ve presented at and attended some of the biggest music conferences in the world throughout 2025, and have had conversations with thought leaders across the creative space. I assure you that, in all corners, we are asking similar questions: how do we give creators the power?
We already have it. It’s time to accept it, wield it responsibly, and remain consistent over time. It’s time to test, measure, adjust, and develop better, creator-centric solutions. I’ll never tell you it’s easy: the creative journey is a long game, and overnight success is fleeting at best, and non-existent in reality.
Would you rather it be easy or impactful?
It’s not about fighting City Hall. It’s about building new cities.
With that, I came across this TED Talk featuring Kickstarter co-founder Yancey Strickler, who offers a solution as to how we can structure our businesses in a creator-friendly manner. It’s already inspiring plenty of ideas for me, and I hope it does the same for you.
Have a great weekend. And, if my rant inspired you to continue this conversation, you know where to find me.
As though next week wasn’t already exciting enough, it turns out that our UnderDogs will be taking the stage not once, but twice in Music City!
We are proud to partner with the Nashville African Street Festival — now in its 43rd year — to present an UnderDogs Across Borders showcase on the Beats & Rhymes stage. The festival takes place all weekend long at Hadley Lillard Park (1038 28th Ave. N., Nashville), with the UnderDogs Across Borders showcase taking place Saturday, September 20 from 4-5:30 p.m.
Hosted by Kelsey Muse and Jazzy the Uncontrolled Goddess, this showcase will emphasize performers from across the hip hop and R&B spectrum, including:
Kelsey Muse
SADGURL
DJX
Nicolas Soul
Yonna Jones
The event is free to attend. As always, those looking to support the cause are encouraged to donate to our UnderDogs Across Borders campaign, which fuels live music experiences and activations for our UnderDogs in Nashville and beyond!