We conclude this momentous year with an episode of The Quinn Spinn that honors the journey while looking ahead.
The Quinn, Scotty Rock, and L discuss their highlights in 2025, as well as what their hopes for 2026.
We also have the return of Stupid News, and an Inappropriate Word with L that is simply too hot for TV!
Opening theme: REVEL 9 – All I’ve Become
As the world has been turning, we’ve been celebrating this incredible year, and getting ready for what’s next, the UnderDogs have been hard at work churning out new material here in Q4.
Let’s check out what some of the members of our community have been up to lately…
Artist: Amelia Ray
Video: Pretending to Read
Released: December 4, 2025
What you should know: The visual companion to Amelia’s July single, ‘Pretending to Read’ was filmed and recorded at San Francisco’s Women’s Audio Mission. Ever-attentive to detail — this song recalls all of her observations from behind a book during a train ride — Amelia has us attempting to decode the symbolism behind the stack of books In addition, her expressive performance behind the microphone has us hanging on every lyric — making us believers that, aside from what’s taking place in front of her eyes, our protagonist has a lot to process.
Artist: Kelsey Muse
Song: Whispers
Released: November 14, 2025
What you should know: As promoted on The Quinn Spinn (and released as a direct purchase-only single last month prior to hitting streaming platforms), “Whispers” is about letting the people keep talking as you carry about your business. Society might make a lot of noise, but moving with purpose holds the key to drowning it out.
Artist: Yonna Jones
Song: ABUNDANCE
Released: October 17, 2025
What you should know: As ‘SUNRISE’ greeted us with the promise of a new day earlier this year, ‘ABUNDANCE’ represents high noon in the realm of new opportunities. Jones’ delivery is lightning-quick on the track, and her confidence shines as she makes it clear that her success is not just possible; it’s inevitable.
We exist in a music industry that seeks to convince artists and consumers alike that efficiency and optimization matter more than truth; that creating as a means to an end is more important than the sanctity of the creative process itself.
For years, the industry-prescribed blueprint for artist success has been as follows: Chase trends. Go viral. Write and record the music that we know will sell, regardless of what *you* want to pursue creatively. Oh, and get those social and streaming numbers up. Otherwise, we won’t take you seriously, and we won’t even have a productive conversation with you in the first place.
Oh, and that’s not even getting into all of this AI stuff. Personally, I’m not against AI as a companion tool to enhance your business processes. For example, if you need something to help optimize your email marketing process, so you can get back to what you’re *actually* here to create – and you can’t afford to hire a human – it’s reasonable to delegate that work to your hypervirtual assistant. In that case, you’ll free up time to focus on your piece of this – the creation itself.
However, this notion that AI could somehow *replace* the artist – that, for the sake of optimization, it can and should be used to generate music, images, video, and tell the stories that human artists have been telling for centuries – is a slap to the collective face of creators everywhere. The art that inspires us (and whose data exists within these servers to be replicated, not duplicated, and certainly never improved upon) was created from genuine human experiences by living creative beings. Each song, image, novel, or film tells the story of the individual moment and its own unique conditions – events that can only truly be experienced alongside other living things, and the world in which we live.
But, I digress…
The over-optimization of the creative process – where the focus is not on connection, but consumption – is at odds with the innovative spirit of the independent artist. Straighten up, fly right, and do what we say… or we’ll just find the next person who will, and you’ll be left fighting Spotify for fractions of a cent with all of your other aUtHeNtIc, oRiGiNaL indie buddies.
Feels hopeless, doesn’t it? Especially when you consider that those who put this structure in place are also the ones who hold the cards…
…under this model of the industry.
We need an alternative.
The industry is in dire need of people with fresh ideas. The artists have them. They’re the ones who have observed from the bottom of the totem pole for as long as there has been a music industry. They’re crafty, resourceful, and they know what it takes to persevere and keep going. They’ve also seen everything that’s wrong with this version of the music industry, and therefore, have the best perspective on how to make it better.
Artists understand business. They understand that, to build your passion into a career, it takes more than just talent, good looks, or a viral moment. It takes waking up every morning – sometimes after a long night – and putting in consistent effort over years. Decades, even. It takes balancing the creative process with other jobs, school, business responsibilities, relationships, family obligations, and their own checkbooks. It means a lot of trial and error; each time they get something wrong, big or small, they must learn to trust themselves all over again, and strive to get it just a little more right the next time.
You want dedication? You want commitment? You want someone who has meticulously developed a versatile skillset? Someone who is going to keep working, and who will keep getting back up every time they’re knocked down? Look to your local independent artist. A savvy one is the best business partner you could ever have.
Oh… and did I mention that they’re the reason we even *have* an industry in the first place? There is no art without artists. And there certainly wouldn’t be any AI slop without them, either.
The artists deserve seats at the table, and we all need to hear what they have to say.
As we head into 2026, Underground Music Collective pledges to provide a forum for these artists. Through our multimedia content, live experiences, expanding suite of Artistpreneur services, and travels to music industry events across multiple continents, we will elevate our creative community to have their music and their voices heard around the musical world.
Here in Nashville, 2026 also provides an opportunity to enhance our ability to serve the local community with our own dedicated physical creation spaces. Updates on that project are expected soon.
Thank you for making 2025, without question, our Best Year Ever. We’ve loved every minute.
If you loved that, though? Wait until you see what’s to come.
As 2025 winds into its final days, we’ve caught a glimpse of some of the excitement to come in the New Year — including some taking place around our original stomping grounds.
Our friends at ArtsQuest have announced the return of the Musikfest Music Industry Conference, taking place August 2-4, 2026 inside of the ArtsQuest Center at SteelStacks in our original hometown of Bethlehem, PA. The conference — which will take place in the middle of Musikfest, the nation’s largest free, non-gated music festival — promises to offer “interactive sessions, cutting-edge technology demos, inspiring keynotes, and real-world insights designed to bridge the worlds of music education and today’s evolving industry,” according to ArtsQuest’s official website.
Full lineup details are forthcoming, but key presenters and supporting organizations have been announced, including:
In addition, ArtsQuest has announced several key program additions, expanding from the inaugural edition of the conference in 2024. These include:
Conferences passes are on sale now for the Early Bird rate of $150 until March 1. After that, the price of a regular badge will increase to $175. Students, ArtsQuest members, and 2026 Musikfest performers receive discounted badges for just $100. For more information, visit the conference webpage.
Join us tonight for one more shot of holiday cheer!
We’re hosting our first-ever Holiday House Party tonight at The Nash Nest in East Nashville. This intimate gathering — held at a top-secret location provided only to those who RSVP — will feature acoustic performances from a variety of standout Nashville artists, as well as a Holly Jolly Open Jam to round out the night!
Time: Doors at 5 p.m., show at 6 p.m., open jam from 9-10 p.m.
Location: The Nash Nest, East Nashville (RSVP for details — the final location email goes out at 4 p.m.!)
Lineup: Timothy Myles, Amber Sweeney, Jazzy the Uncontrolled Goddess, Laurel Sabadosh, and YOU!
Admission: FREE with one warm clothing or non-perishable food item!
Back home in the Christmas City of Bethlehem, PA, our friends at Your Next Favorite Band are ready to express gratitude and honor the guests they’ve had throughout the year. They’ve invited more than a dozen of their closest friends back to the show tonight at 7:30 p.m. ET, where they will share messages for the season and perform a holiday tune.
Tonight’s special broadcast features messages and songs from:
You’ll also see highlights from last year’s Winter WonderJam event, featuring Joe Edelmann and Emma Bockrath, as they get set for this year’s annual fundraiser, taking place at the legendary Godfrey Daniels listening room in Bethlehem this Saturday, December 6 at 7 p.m. ET.
Did we mention it’s all for a cause? Your Next Favorite Band will honor and raise awareness for homeless shelters and food banks in our home community of the Lehigh Valley, including New Bethany Ministries and national non-profit Feeding America.
Without question, 2025 has been a year for the ages. In fact, we’ve proclaimed it the best year of UMC’s life (so far), and we’re in a mood to celebrate.
P.S.: If you’re in Nashville, come celebrate with us this Wednesday night at Lowbar!
Whether you’re near or far, we’re going to keep things festive around here until the ball drops to ring in 2026. And, to show you how epic this year has been, we have an entire backlog of content captured throughout the year that we haven’t even rolled out yet!
We’ve got some catching up to do — and it gives us the opportunity to relive some of the year’s most magical moments with a series we call 2025’s Greatest Hits.
We have festival photos from Canada to New Orleans. We have special insights to share on the moments and lessons that made 2025 special. Throughout December, we’ll be popping in to give you a few last glimpses of this incredible year, while also providing a taste of what’s to come.
Stay tuned, because we’ll begin dropping these Greatest Hits later this week. We invite you to sit back, reflect, and appreciate the year that was!
What are two middle aged uncs to do on a Sunday night, but hop on Zoom, record a podcast, and play some games!
We have a little bit of fun to open up the December action on The Quinn Spinn. We play a riveting game of “Would You Rather?” before Scotty quizzes The Quinn on a series of quotes, to determine whether they were said by an actual rockstar or AI…
Plus, we recap a monster October at Underground Music Collective, and give you a little Something For Your Ears with Limp Bizkit’s latest single, “Making Love to Morgan Wallen.”
Opening theme: REVEL 9 – All I’ve Become
Learn more about the show: https://umcworldwide.com/thequinnspinn
You have the talent. You’ve developed your skills. You have big dreams about where you can take this music thing. All you’re missing… is the next step.
Your audience is out there. Connecting with them means joining in community with those who share your values. Keeping them in your orbit means finding ways to provide them with something that they won’t find anywhere else.
It might sound intimidating at first… until you realize that everything you need to connect with your audience — and keep them there — is already within you. You have a purpose behind your art that has yet to be uncovered. You have countless ideas, and just need some help organizing those thoughts into action. You have a story to tell, and more tools than ever to reach the masses.
We’re here to help you put it all together. That’s why we’re announcing the return of our popular BRANDCAMP from UMC Academy to start the New Year!
Our six-week program — beginning the week of Monday, January 12 — is designed to help creatives like you uncover your values and develop a clear vision for your creative ecosystem, complete with actionable goals. We achieve this by providing a proven brand-building roadmap, bespoke one-on-one mentorship, and access to a community of purpose-driven artistpreneurs.
Sounds fun, right?
If you’re ready to enroll (or just want to learn more), head on over to the Academy page, where you can hear testimonials from previous UMC Academy grads!
Since we arrived in Nashville about seven years ago, we have known Broadway as a place where musicians go to break in. Seven days a week, you’ll find the city’s working musicians making their living along the street’s iconic strip of honky tonks, performing in 4-hour blocks from mid-morning until the wee hours of the evening.
Some work doubles (and even triples), fielding song requests from tourists who have emerged from all corners of the globe to take in the city’s culture. Once in a while, these performers will sneak in an original tune, giving revelers and passers by a glimpse into their artistry.
On Wednesday nights, however, those who head to the top floor of JBJs on Broadway can catch more than a glimpse. Original music has the floor from 6-10 p.m. during the Rock ‘n Roll Opry, a weekly showcase which gives Nashville’s emerging artists center stage.
Started by a group of Nashville-based musicians, the Rock ‘n Roll Opry gives Nashville’s artists a place to hang out, network and, of course, perform. The house band consists of multi-instrumentalists Mic Guy (vocals/bass/guitar), Rob Talton (vocals/keys/bass), Rory Kennedy (vocals/guitar/bass/drums), and Thomas O’Brian (vocals/drums/bass), who support aspiring performers during the open jam portion of the evening at the end of the night — after a genre-diverse lineup of rising stars have the opportunity to showcase a few of their strongest tunes, to the delight of anyone who ventures up to the top floor in search of something new.
As for the lineup this past Wednesday night, we caught sets from country rock artist and Texas native Hannah Bell, pop rock songwriter extraordinaire J4, and funk-pop powerhouse Ginn. Each artist brought their own brand of thunder to the evening, providing a compelling sample of the talent that resides in every corner of Music City.
Want to learn more or submit? We encourage you to head to rocknrollopry.com — and then come out in support of some of Nashville’s best every Wednesday night!