Tag Archives: Nashville music reviews

8 Music Industry Events You Should Attend in 2026

A New Year has begun, and with it, you’ll find plenty of opportunities to connect with the music industry (and the creative world at large) throughout 2026.

We have seen first-hand that venturing out into the world and exploring the greater creative landscape can be transformative, leading to new ideas, partnerships, and collaborations that will elevate not only your creative platform, but those of the people around you. Not to mention, traveling gives you an opportunity to see new places, meet new people, and create unforgettable experiences.

With that, we’re here to give you a list of some of our favorite music industry conferences and festivals that will be well worth your time to check out in 2026.

SXSW (Austin, TX)
March 12-18

You know about this one, right? Going strong since 1987, SXSW is the crossroads where creatives from all over the world come together to push creativity, technology, and society forward. Music is still very much a core component of the annual conference and festival.

The networking opportunities at SXSW — and all throughout Austin that week — are second to none. In our travels last year, we connected with so many new friends and collaborators whom either led to or enhanced our involvement in some of the other events on this list. If you’re looking for a tone-setter to kick your year into overdrive, this is the one!

Hits Home (Nashville, TN)
April 19-21

A brand-new conference from the folks at Jump Global, Hits Home bills itself as “your space to reconnect — with the music, the mission, and the community that makes it all possible.” While speakers and schedule details are still forthcoming, the conference promises an alternative approach, pledging to “feature people and perspectives instead of topic-specific panels” alongside surprise moments peppered throughout the experience. Color us intrigued!

This also fills an important need in the Nashville landscape. With Music Biz migrating to Atlanta last year (and with other planned locations in the works), Nashville was left without a music conference that isn’t genre-specific. Hits Home has the potential to become Music City’s signature industry event.

Departure Conference & Festival (Toronto, ON)
May 4-10

Now in its second year as the re-imagined Canadian Music Week, Departure presents an opportunity to learn everything there is to know about the music industry North of the Border. The conference’s programming continues to expand, with seven planned conference tracks spanning music, technology, marketing, and more. Speakers at last year’s conference included Bryan Adams, Shaggy, Lindsay Ell, Chantal Kreviazuk, and many more.

SXSW London (London, UK)
June 1-6

In similar fashion to its U.S.-based cousin, SXSW London provides a global stage for the creators driving society forward. Based in Shoreditch in the heart of East London, this event (and the city in which its based) provides you and your music a gateway to the other side of Planet Earth, as well as an opportunity to discover new artists and iconic venues.

Musikfest (Bethlehem, PA)
July 31-August 9 (Conference Aug. 2-4)

Of course, this list wouldn’t be complete without the nation’s largest free, non-gated music festival (and the pride and joy of our original hometown)!

Now in its 43rd year, Musikfest features close to 500 free performances by independent artists from over the world, as well as a full slate of renowned headliners every year. This year also marks the return of the Musikfest Music Industry Conference, a three-day opportunity to network, learn, and connect within the music industry. (Did we mention that we’re already planning to be involved?)

Gussapolooza (Cookstown, ON)
Aug. 21-23

Heading a bit further into Ontario, this three-day, all-indie festival has become a staple of our year. A community-grown effort started by Russ and Valerie Robson, Gussapolooza features three stages, a vendor and artisan village, educational opportunities, on-site camping, and plenty of opportunities to connect before, during, and after festival hours. Not to mention, the lineup always provides a healthy sampling of North America’s hungriest, most talented independent artists. Our summer simply wouldn’t be complete without this one!

Confluence Carolinas (Charlotte, NC)
Date TBD (Early-mid October)

The Queen City is alive with arts and culture, and Confluence does an excellent job bringing the region’s top creative minds together to explore the many gems Charlotte has to offer. Of course, this occurs within the greater context of music industry education, with Charlotte’s reputation as a financial powerhouse playing a key role in helping independent artists and other changemakers move toward building sustainable careers.

NOLA MusiCon (New Orleans, LA)
Dates TBD (Late October)

For the past two years, NOLA MusiCon has served as our grand tour finale. You can bet that we’ll be back again for the third consecutive year!

NOLA MusiCon brings professionals from across the musical world to the Big Easy. Attendees have the opportunity to immerse themselves in the city’s unique culture while learning from some of the best and brightest the industry has to offer. Overall, NOLA MusiCon combines New Orleans’ rich cultural heritage with the latest industry knowledge, all while advocating for a richer and more diverse music ecosystem.

Previous speakers include Nardwuar the Human Serviette, Dawn Richard, Samantha Fish, Todd Rundgren, and many more.

2025 in Review (ft. The OG Fam)

We conclude this momentous year with an episode of The Quinn Spinn that honors the journey while looking ahead.

The Quinn, Scotty Rock, and L discuss their highlights in 2025, as well as what their hopes for 2026.

We also have the return of Stupid News, and an Inappropriate Word with L that is simply too hot for TV!

Opening theme: REVEL 9 – All I’ve Become

Learn more about the show!

UnderDog Releases: Abundance, Keen Observations, and Whispers

As the world has been turning, we’ve been celebrating this incredible year, and getting ready for what’s next, the UnderDogs have been hard at work churning out new material here in Q4.

Let’s check out what some of the members of our community have been up to lately…

Artist: Amelia Ray
Video: Pretending to Read
Released: December 4, 2025
What you should know: The visual companion to Amelia’s July single, ‘Pretending to Read’ was filmed and recorded at San Francisco’s Women’s Audio Mission. Ever-attentive to detail — this song recalls all of her observations from behind a book during a train ride — Amelia has us attempting to decode the symbolism behind the stack of books In addition, her expressive performance behind the microphone has us hanging on every lyric — making us believers that, aside from what’s taking place in front of her eyes, our protagonist has a lot to process.

Artist: Kelsey Muse
Song: Whispers
Released: November 14, 2025
What you should know: As promoted on The Quinn Spinn (and released as a direct purchase-only single last month prior to hitting streaming platforms), “Whispers” is about letting the people keep talking as you carry about your business. Society might make a lot of noise, but moving with purpose holds the key to drowning it out.

Artist: Yonna Jones
Song: ABUNDANCE
Released: October 17, 2025
What you should know: As ‘SUNRISE’ greeted us with the promise of a new day earlier this year, ‘ABUNDANCE’ represents high noon in the realm of new opportunities. Jones’ delivery is lightning-quick on the track, and her confidence shines as she makes it clear that her success is not just possible; it’s inevitable.

Want to Improve the Music Industry? Start Listening to the Artists

We exist in a music industry that seeks to convince artists and consumers alike that efficiency and optimization matter more than truth; that creating as a means to an end is more important than the sanctity of the creative process itself.

For years, the industry-prescribed blueprint for artist success has been as follows: Chase trends. Go viral. Write and record the music that we know will sell, regardless of what *you* want to pursue creatively. Oh, and get those social and streaming numbers up. Otherwise, we won’t take you seriously, and we won’t even have a productive conversation with you in the first place.

Oh, and that’s not even getting into all of this AI stuff. Personally, I’m not against AI as a companion tool to enhance your business processes. For example, if you need something to help optimize your email marketing process, so you can get back to what you’re *actually* here to create – and you can’t afford to hire a human – it’s reasonable to delegate that work to your hypervirtual assistant. In that case, you’ll free up time to focus on your piece of this – the creation itself.

However, this notion that AI could somehow *replace* the artist – that, for the sake of optimization, it can and should be used to generate music, images, video, and tell the stories that human artists have been telling for centuries – is a slap to the collective face of creators everywhere. The art that inspires us (and whose data exists within these servers to be replicated, not duplicated, and certainly never improved upon) was created from genuine human experiences by living creative beings. Each song, image, novel, or film tells the story of the individual moment and its own unique conditions – events that can only truly be experienced alongside other living things, and the world in which we live.

But, I digress…

The over-optimization of the creative process – where the focus is not on connection, but consumption – is at odds with the innovative spirit of the independent artist. Straighten up, fly right, and do what we say… or we’ll just find the next person who will, and you’ll be left fighting Spotify for fractions of a cent with all of your other aUtHeNtIc, oRiGiNaL indie buddies.

Feels hopeless, doesn’t it? Especially when you consider that those who put this structure in place are also the ones who hold the cards…

…under this model of the industry.

We need an alternative.

The industry is in dire need of people with fresh ideas. The artists have them. They’re the ones who have observed from the bottom of the totem pole for as long as there has been a music industry. They’re crafty, resourceful, and they know what it takes to persevere and keep going. They’ve also seen everything that’s wrong with this version of the music industry, and therefore, have the best perspective on how to make it better.

Artists understand business. They understand that, to build your passion into a career, it takes more than just talent, good looks, or a viral moment. It takes waking up every morning – sometimes after a long night – and putting in consistent effort over years. Decades, even. It takes balancing the creative process with other jobs, school, business responsibilities, relationships, family obligations, and their own checkbooks. It means a lot of trial and error; each time they get something wrong, big or small, they must learn to trust themselves all over again, and strive to get it just a little more right the next time.

You want dedication? You want commitment? You want someone who has meticulously developed a versatile skillset? Someone who is going to keep working, and who will keep getting back up every time they’re knocked down? Look to your local independent artist. A savvy one is the best business partner you could ever have.

Oh… and did I mention that they’re the reason we even *have* an industry in the first place? There is no art without artists. And there certainly wouldn’t be any AI slop without them, either.

The artists deserve seats at the table, and we all need to hear what they have to say.

As we head into 2026, Underground Music Collective pledges to provide a forum for these artists. Through our multimedia content, live experiences, expanding suite of Artistpreneur services, and travels to music industry events across multiple continents, we will elevate our creative community to have their music and their voices heard around the musical world.

Here in Nashville, 2026 also provides an opportunity to enhance our ability to serve the local community with our own dedicated physical creation spaces. Updates on that project are expected soon.

Thank you for making 2025, without question, our Best Year Ever. We’ve loved every minute.

If you loved that, though? Wait until you see what’s to come.

Fun & Games! (ft. Scotty Rock)

What are two middle aged uncs to do on a Sunday night, but hop on Zoom, record a podcast, and play some games!

We have a little bit of fun to open up the December action on The Quinn Spinn. We play a riveting game of “Would You Rather?” before Scotty quizzes The Quinn on a series of quotes, to determine whether they were said by an actual rockstar or AI…

Plus, we recap a monster October at Underground Music Collective, and give you a little Something For Your Ears with Limp Bizkit’s latest single, “Making Love to Morgan Wallen.”

Opening theme: REVEL 9 – All I’ve Become

Learn more about the show: https://umcworldwide.com/thequinnspinn

A Week in NOLA: The Official Vlogumentary (Produced by NuRenaissance)

If you’ve been following our journey around here, you’re probably well aware that we took the UnderDogs on down to New Orleans to participate in this year’s NOLA MusiCon. We had a wonderful time connecting with the creatives in this vibrant community, and we look forward to spending a lot more time together in the months and years ahead.

We were also fortunate to have Nicolas Soul with us. In addition to being an UnderDog and NEXT2RISE artist, Nicolas documented the entire trip through his media company, NuRenaissance. He caught all of the action — from time spent at the conference, to the diverse talent on display during its showcases, to after-hours hangs from the studio to Bourbon St.

It’s an incredibly fun watch — one which illustrates what it means to be an UnderDog by providing a genuine view into the joy of the experience. Sit back and enjoy!

Thanks to NOLA MusiCon for having us, DAWn Audio for being our NOLA-based family, and our sponsors at Guidance Whiskey and Ether Nashville for their support.

Barz in the Boro Returns to Middle Tennessee Dec. 6

Barz in the Boro — a monthly hip hop showcase just down the road from us in Murfreesboro, Tennessee — will close out the year with a stacked lineup on Saturday, December 6 from 8-11 p.m.

The showcase — which occurs on the first Saturday of every month at Cedar Glade Brews (906 Ridgely Rd., Murfreesboro) — is hosted by E.T. and Raw Proof, with support from DJ Know Love on the 1s and 2s. Barz in the Boro is a platform for local and touring hip hop artists alike. Each month’s showcase features a uniquely curated lineup, along with an open mic portion, which provide aspiring performers with a chance to impress for a future opportunity.

The showcase’s official website offers this description:

Barz in the Boro is a monthly hip hop showcase and cypher where raw talent, sharp lyricism, and real culture take center stage. From local spitters to nationally touring acts, this is the spot where the underground and the spotlight meet. This event is designed to shine a light on performers, build connections within the culture, and bring something fresh and exciting to the Murfreesboro / Nashville music scene.

Presented and hosted by E.T. & Raw Proof and powered by the skills of DJ Know Love, every show is built to give you that authentic hip hop vibe, no gimmicks, just beats, barz, and energy.  This ain’t just another show, it’s for the artists, for the fans, and for the culture. Pull up, bring your skillz, and be part of the movement.​

The December 6 event will feature performances from UnderDogs Yonna Jones and Jazzy the Uncontrolled Goddess, alongside My Friend Wiley and New Orleans’ own Alfred Banks. Those interested in learning more or being considered for a future showcase are encouraged to reach out via Instagram.

Where We’ve Been, Where We’re Going: Part 1

“Why dontcha make a few slides for a timeline, outlining key milestones that helped create the UMC we know and love today?”

So naturally, we had to be absolutely extra and document our lore.

This is the first in a multi-part series that will share the story so far — from the early days of The Quinn Spinn in Mom’s Basement Studios, to our transformative, globe-spanning 2025. At the end, we’ll also share more information on our plans, hopes, and dreams for the future that we think you’ll dig!

This was a blast to create, and we’re just getting started. Stay tuned for Part 2!

Apply to These 2026 Festivals & Conferences

After last week’s epic trip to New Orleans for NOLA MusiCon — and a year that saw UMC everywhere, from Austin to London — we’re already dreaming of more travels in 2026.

Fortunately, new adventures are always on the horizon, for both artist and educator alike. In fact, some of our favorite haunts from the past couple years have open submission processes ongoing right now. So, if you’ve been bitten by the travel bug — and want to scratch the itch by doing your thing in new markets — we’ve compiled information on a few of our favorites right here.

SXSW London

Dates: June 1-6, 2026
Location: London, UK
Deadlines: November 24 (Performer), December 7 (Speaker)
Notes: The European edition of SXSW — now in its second year — has an open application process for those looking to make their mark overseas in 2026. Both emerging and established artists, as well as organizers of forward-thinking lineups, are encouraged to submit for performance consideration. That deadline is coming up quick, but you still have time. If you’re a speaker, you have a couple extra weeks to get your proposal together!
Link to apply: SXSW London 2026 | Public Submissions Now Open

Musikfest

Dates: July 31-Aug. 9 (Festival); Aug. 2-4 (Conference)
Location: Bethlehem, PA
Deadlines: November 15, 2025 (Conference), February 28, 2026 (Festival)
Notes: Musikfest itself is entering its 43rd year in 2026, and is the nation’s largest free, non-gated music festival, bringing nearly 1.5 million people to downtown Bethlehem in 2025. The Musikfest Industry Conference — now in its second year — aims to put world-class ideas and music industry knowledge (like yours) in front of the artists who comprise this growing, talent-rich regional arts hub (and UMC’s original hometown).
Links to apply: Festival | Conference

Gussapolooza

Dates: Aug. 21-23
Location: Cookstown, ON, Canada
Deadline: January 31, 2026
Notes: Our favorite weekend getaway is on for next August! This all-independent, three-day festival — nestled just an hour or so north of Toronto — brings some of the most notable rising acts from across North America together in the name of music, art, and community. Gussapolooza also invites vendors and artisans across the creative landscape to get involved. In that spirit, we’ll include the vendor application below, as well.
Links to apply: Festival | Vendor

Which events should we know about? Did we miss any? Let us know, and we’ll add them to the list!

Finding a Deeper ‘Innerstanding’ (ft. Jazzy the Uncontrolled Goddess)

Jazzy the Uncontrolled Goddess is a spoken word poet, speaker, author, and mindset coach whose work begins from within. Jazzy’s raw transparency makes her a force to be reckoned with: a creative’s creative whose ability to lean into her truth inspires the community around her.

Jazzy makes her Quinn Spinn debut today to chat about a variety of topics, including creativity in the age of AI, the inspiration found through love, and the importance of doing our own inner work.

Opening theme: REVEL 9 – All I’ve Become

Follow Jazzy: ⁠https://instagram.com/goddessmindsetjazzy
More about The Quinn Spinn: https://umcworldwide.com/thequinnspinn

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